Sitārah:通过 Boushra Almutawakel 的摄影作品探究也门妇女着装的时代变迁

Costume Pub Date : 2024-03-01 DOI:10.3366/cost.2024.0288
Shada Bokir
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引用次数: 0

摘要

母亲、女儿、玩偶 "和 "多彩的 Sitārah "是 Boushra Almutawakel(生于 1969 年)的两个摄影作品集。这两部摄影集旨在将 20 世纪 60 年代至今对也门妇女的保守控制形象化。本文讨论了也门特殊的社会、政治和文化发展所导致的女性肤色逐渐变黑的现象。Almutawakel 的摄影作品赞美了 sitārah(也门传统的彩色斗篷),由于瓦哈比主义在也门的意识形态入侵,这种斗篷被改造成了黑色的、没有形状的服装,这导致也门妇女更加孤立和隐形。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sitārah: Exploring the Transformation of Yemeni Women's Dress Code over Time via Boushra Almutawakel's Photography
‘Mother, Daughter, Doll’ and ‘Colourful Sitārah’ are two photographic collections by Boushra Almutawakel (b. 1969). These collections aim to visualize the conservative grip on Yemeni women from the 1960s up to the present day. This article discusses the progression of the blackness of female covering caused by social, political and cultural developments that are special to the Yemeni context. Almutawakel's photographs celebrate the sitārah, the traditional colourful Yemeni cape, which was altered into a black, shapeless garment through the ideological invasion of Wahhabism in Yemen, which has led to increased isolation and invisibility for women there.
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