{"title":"声音的局限性，或为什么罗尔德-达尔的作品听起来比看起来更严肃","authors":"Jorge Sacido-Romero","doi":"10.1080/13825577.2023.2287099","DOIUrl":null,"url":null,"abstract":"The visual dimension of Roald Dahl's work is conspicuous and well known. However, his texts also articulate the author’s life-long interest in sound(s), in the aural or acoustic. The present articl...","PeriodicalId":43819,"journal":{"name":"European Journal of English Studies","volume":"269 1","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2024-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Acoustic limitrophies, or why Roald Dahl’s work sounds more serious than it seems\",\"authors\":\"Jorge Sacido-Romero\",\"doi\":\"10.1080/13825577.2023.2287099\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The visual dimension of Roald Dahl's work is conspicuous and well known. However, his texts also articulate the author’s life-long interest in sound(s), in the aural or acoustic. The present articl...\",\"PeriodicalId\":43819,\"journal\":{\"name\":\"European Journal of English Studies\",\"volume\":\"269 1\",\"pages\":\"\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2024-03-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of English Studies\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/13825577.2023.2287099\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of English Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/13825577.2023.2287099","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Acoustic limitrophies, or why Roald Dahl’s work sounds more serious than it seems
The visual dimension of Roald Dahl's work is conspicuous and well known. However, his texts also articulate the author’s life-long interest in sound(s), in the aural or acoustic. The present articl...
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