{"title":"挖掘边缘:踢踏舞历史中的女性主义研究","authors":"Margaret Morrison","doi":"10.1080/01472526.2024.2323887","DOIUrl":null,"url":null,"abstract":"The research project Tapping the Margins was undertaken by Ann Kilkelly and Mary Neth from 1999 through 2005 and focused on women in tap dance. Their scope was unprecedented: to analyze constructio...","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"11 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tapping the Margins: Feminist Research in Tap Dance History\",\"authors\":\"Margaret Morrison\",\"doi\":\"10.1080/01472526.2024.2323887\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The research project Tapping the Margins was undertaken by Ann Kilkelly and Mary Neth from 1999 through 2005 and focused on women in tap dance. Their scope was unprecedented: to analyze constructio...\",\"PeriodicalId\":42141,\"journal\":{\"name\":\"DANCE CHRONICLE\",\"volume\":\"11 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-03-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DANCE CHRONICLE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01472526.2024.2323887\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DANCE CHRONICLE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01472526.2024.2323887","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
Tapping the Margins: Feminist Research in Tap Dance History
The research project Tapping the Margins was undertaken by Ann Kilkelly and Mary Neth from 1999 through 2005 and focused on women in tap dance. Their scope was unprecedented: to analyze constructio...
期刊介绍:
For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.