{"title":"为什么这个(K)夜晚与众不同?逾越节、鲜血、战争以及乔-辛克莱尔的《荒原》和达拉-霍恩的《其他所有夜晚》中犹太人和美国人身份的冲突","authors":"Ohad Reznick","doi":"10.1080/00111619.2024.2328290","DOIUrl":null,"url":null,"abstract":"For hundreds of years, non-Jews have accused Jews of dual identity. Living in the diaspora, Jews were often accused of loyalty to their own religion or people, which sometimes collided with allegia...","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":"37 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Why is this (K)night Different: Passover, Blood, War, and the Conflict Between Jewish and American Identity in Jo Sinclair’s Wasteland and Dara Horn’s All Other Nights\",\"authors\":\"Ohad Reznick\",\"doi\":\"10.1080/00111619.2024.2328290\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"For hundreds of years, non-Jews have accused Jews of dual identity. Living in the diaspora, Jews were often accused of loyalty to their own religion or people, which sometimes collided with allegia...\",\"PeriodicalId\":44131,\"journal\":{\"name\":\"CRITIQUE-STUDIES IN CONTEMPORARY FICTION\",\"volume\":\"37 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-03-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CRITIQUE-STUDIES IN CONTEMPORARY FICTION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00111619.2024.2328290\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00111619.2024.2328290","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Why is this (K)night Different: Passover, Blood, War, and the Conflict Between Jewish and American Identity in Jo Sinclair’s Wasteland and Dara Horn’s All Other Nights
For hundreds of years, non-Jews have accused Jews of dual identity. Living in the diaspora, Jews were often accused of loyalty to their own religion or people, which sometimes collided with allegia...
期刊介绍:
Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.