从古代到塞万提斯的自由、人类尊严和人类命运共同体意识主题

Q2 Arts and Humanities
Clotho Pub Date : 2024-03-04 DOI:10.4312/clotho.5.2.95-107
Bojana Tomc
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引用次数: 0

摘要

古代遗产是塞万提斯作品的组成部分。塞万提斯在接受教育和旅居意大利期间熟悉了古典意象世界,古典元素、题材和主题代表了这一意象世界。通过这些,他与古代建立了持续的对话。然而,他的作品中最显著的人文主义色彩是他对自由、人的尊严和人的价值的不断捍卫,反映了文艺复兴时期的人的概念。自由成为塞万提斯诗学的关键要素和基石,与文艺复兴传统息息相关。塞万提斯经常表达人类自由的前提及其基本价值。这种明显的自由取向可能与他的个人经历有关,他在阿尔及利亚度过了五年痛苦的囚禁生活也说明了这一点。为了生存和保持清醒的头脑和精神,他开始写作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Motiv svobode, človekovega dostojanstva in zavedanja skupne človeške usode od antike do Cervantesa
The legacy of antiquity forms a constituent part of Cervantes’ opus. The vicinity of the classical imaginarium, with which Cervantes became acquainted during his education and while living in Italy, is represented by classical elements, topics, and motifs. Through these, he establishes a constant dialogue with antiquity. However, the humanistic note in his opus is most noticeable in his constant defense of freedom and human dignity and the value of the human being, reflecting the Renaissance concept of the human person. Freedom becomes a key element and cornerstone of Cervantes’ poetics, linking to the Renaissance tradition. Cervantes frequently expresses the premise of human freedom and its fundamental value. This pro­nounced orientation toward freedom may be related to his personal experience and explained by his painful captivity in Algeria, where he spent five years. He started to write to survive and maintain clarity of mind and spirit.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
11
审稿时长
12 weeks
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