运动中的马巴塔-巴塔:索尔-德-卡瓦略电影中米娅-库托叙事的转变

Humanities Pub Date : 2024-03-05 DOI:10.3390/h13020046
Lola Geraldes Xavier, João Viana, Silvie Špánková
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摘要

本文分析了米娅-库托(Mia Couto)的短篇小说《马巴塔爆炸之日》(O dia em que explodiu Mabata-bata)及其由索尔-德-卡瓦略(Sol de Carvalho)改编的电影《马巴塔》(Mabata Bata)。本研究旨在通过对这两个版本的分析,了解库托的叙事在电影改编中是如何被再创造和改造的。故事的电影改编采用了图像和附加文字的融合,扩展了原故事的语言维度,从而创造了一种新的体验。它与原故事建立了亲和力,并引入了新的元素,增加了叙事的深度和复杂性。电影中对故事的改编提供了一个机会,从非殖民化的角度审视国家历史,描绘内战(1977-1992 年)期间的象征性蜕变。通过对短篇小说和电影的分析,本研究强调了文学和电影在通过语言、宗教和传统促进莫桑比克 "脱钩 "身份认同方面的关键作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mabata-Bata in Motion: The Transformation of Mia Couto’s Narrative in Sol de Carvalho’s Film
This paper analyzes Mia Couto’s short story “O dia em que explodiu Mabata-bata” [The day Mabata-bata exploded] and its adaptation by Sol de Carvalho’s film Mabata Bata. Through an analysis of both versions, this study aims to understand how Couto’s narrative was recreated and transfigured in the film adaptation. The film adaptation of the story employs a blend of images and additional text to extend the verbal dimensions of the original story, thus creating a new experience. It establishes affinities with the original story and introduces new elements that add to the narrative’s depth and complexity. The adaptation of the story in the film provides an opportunity to examine the decolonial perspective of the nation’s history, portraying the symbolic metamorphosis during the civil war (1977–1992). By analyzing both the short story and the film, this study highlights the pivotal role of literature and cinema in fostering a Mozambique “de-linking” identity through language, religion and traditions.
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