斯蒂芬-金在种族问题上的演变重读《杜马钥匙

IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Michael J. Blouin, Carl H. Sederholm
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引用次数: 0

摘要

斯蒂芬-金对黑人的描写有时比乍看起来更有自省能力。他反思自己作为一名白人作家的复杂角色,有时他通过黑人角色之口说话。特别是在 21 世纪的小说中,金表现出了对自己偏见进行拷问的意愿。简而言之,我们不应该过于草率地否定(或取消)金。为了进一步探讨这个问题,我们建议再看看《杜马钥匙》,这部小说仔细审视了大众艺术家在强化和修正美国种族观念方面所扮演的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stephen King's evolution on race: Re-reading Duma Key

Stephen King is at times more self-reflective about his depictions of blackness than it might seem at first glance. He ruminates upon his own complicated role as a white writer who, on occasion, speaks through the mouths of black characters. King has demonstrated a willingness, especially in his twenty-first century fiction, to interrogate his biases. Put simply, we should not be too hasty in dismissing (or cancelling) King. To address this further, we propose another look at Duma Key, a novel that scrutinizes the role of popular artists in reinforcing as well as revising ideas about race in America.

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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
68
期刊介绍: The popular culture movement was founded on the principle that the perspectives and experiences of common folk offer compelling insights into the social world. The fabric of human social life is not merely the art deemed worthy to hang in museums, the books that have won literary prizes or been named "classics," or the religious and social ceremonies carried out by societies" elite. The Journal of Popular Culture continues to break down the barriers between so-called "low" and "high" culture and focuses on filling in the gaps that a neglect of popular culture has left in our understanding of the workings of society.
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