{"title":"自己动手的乌托邦:戴夫-艾格斯《每一个》中的数字未来","authors":"Urszula Terentowicz-Fotyga","doi":"10.1080/00111619.2024.2311740","DOIUrl":null,"url":null,"abstract":"The article analyses the nightmarish vision of the near future in Dave Eggers’s 2021 novel The Every as a digital dystopia. Read as a dialogue with George Orwell’s Nineteen Eighty-Four, The Every i...","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":"81 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Do It Yourself Dystopia: The Digital Future in Dave Eggers’s The Every\",\"authors\":\"Urszula Terentowicz-Fotyga\",\"doi\":\"10.1080/00111619.2024.2311740\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article analyses the nightmarish vision of the near future in Dave Eggers’s 2021 novel The Every as a digital dystopia. Read as a dialogue with George Orwell’s Nineteen Eighty-Four, The Every i...\",\"PeriodicalId\":44131,\"journal\":{\"name\":\"CRITIQUE-STUDIES IN CONTEMPORARY FICTION\",\"volume\":\"81 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-02-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CRITIQUE-STUDIES IN CONTEMPORARY FICTION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00111619.2024.2311740\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00111619.2024.2311740","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Do It Yourself Dystopia: The Digital Future in Dave Eggers’s The Every
The article analyses the nightmarish vision of the near future in Dave Eggers’s 2021 novel The Every as a digital dystopia. Read as a dialogue with George Orwell’s Nineteen Eighty-Four, The Every i...
期刊介绍:
Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.