{"title":"死人不会死:类型、戏仿和美国僵尸作为社会变革媒介的失败","authors":"Lauren Crockett-Girard","doi":"10.1080/01956051.2023.2268259","DOIUrl":null,"url":null,"abstract":"Jim Jarmusch’s 2019 zombie flick The Dead Don’t Die uses comedy to both critique the zombie genre and confront the many horrors of twenty-first century life. Zombies are symbols for human anxieties...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"1 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Dead Don’t Die: Genre, Parody, and the Failure of the American Zombie as an Agent of Social Change\",\"authors\":\"Lauren Crockett-Girard\",\"doi\":\"10.1080/01956051.2023.2268259\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Jim Jarmusch’s 2019 zombie flick The Dead Don’t Die uses comedy to both critique the zombie genre and confront the many horrors of twenty-first century life. Zombies are symbols for human anxieties...\",\"PeriodicalId\":44169,\"journal\":{\"name\":\"JOURNAL OF POPULAR FILM AND TELEVISION\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2024-02-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF POPULAR FILM AND TELEVISION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01956051.2023.2268259\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF POPULAR FILM AND TELEVISION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01956051.2023.2268259","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
摘要
吉姆-贾木许(Jim Jarmusch)在 2019 年拍摄的僵尸题材影片《僵尸不会死》(The Dead Don't Die)中,既用喜剧批判了僵尸题材,也直面了 21 世纪生活中的诸多恐怖。僵尸是人类焦虑的象征...
The Dead Don’t Die: Genre, Parody, and the Failure of the American Zombie as an Agent of Social Change
Jim Jarmusch’s 2019 zombie flick The Dead Don’t Die uses comedy to both critique the zombie genre and confront the many horrors of twenty-first century life. Zombies are symbols for human anxieties...
期刊介绍:
How did Casablanca affect the home front during World War II? What is the postfeminist significance of Buffy the Vampire Slayer? The Journal of Popular Film and Television answers such far-ranging questions by using the methods of popular culture studies to examine commercial film and television, historical and contemporary. Articles discuss networks, genres, series, and audiences, as well as celebrity stars, directors, and studios. Regular features include essays on the social and cultural background of films and television programs, filmographies, bibliographies, and commissioned book and video reviews.