{"title":"什么是元配置?","authors":"Jan Gresil Kahambing","doi":"10.59391/inscriptions.v7i1.210","DOIUrl":null,"url":null,"abstract":"In this essay, I present an alternative philosophical approach to meta-curating. While the debate surrounding the meta-curating of content often centers around technology like post-digital art, I prefer to take a broader perspective and examine its ontological implications. I consider the realist or anti-realist assumptions of meta-curating through Jean Baudrillard’s concept of seduction and Giorgio Agamben’s idea of spectrality. Both simulacrum and spectrality tend to support an anti-realist approach to meta-curating where the value of the object is made fragile when constantly predetermined by a superficially seductive or spectrally floating context. Against meta-curating as anti-realist, I argue that meta-curation is realist. As a case, the seductive and the spectral in Zaha Hadid’s Morpheus in Macao demonstrate that meta-curating does not completely disregard, but rather raises the question of how to establish an antifragile realism prompted by an architectural object.","PeriodicalId":32883,"journal":{"name":"Inscriptions","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"What is metacuration?\",\"authors\":\"Jan Gresil Kahambing\",\"doi\":\"10.59391/inscriptions.v7i1.210\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this essay, I present an alternative philosophical approach to meta-curating. While the debate surrounding the meta-curating of content often centers around technology like post-digital art, I prefer to take a broader perspective and examine its ontological implications. I consider the realist or anti-realist assumptions of meta-curating through Jean Baudrillard’s concept of seduction and Giorgio Agamben’s idea of spectrality. Both simulacrum and spectrality tend to support an anti-realist approach to meta-curating where the value of the object is made fragile when constantly predetermined by a superficially seductive or spectrally floating context. Against meta-curating as anti-realist, I argue that meta-curation is realist. As a case, the seductive and the spectral in Zaha Hadid’s Morpheus in Macao demonstrate that meta-curating does not completely disregard, but rather raises the question of how to establish an antifragile realism prompted by an architectural object.\",\"PeriodicalId\":32883,\"journal\":{\"name\":\"Inscriptions\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Inscriptions\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.59391/inscriptions.v7i1.210\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Inscriptions","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.59391/inscriptions.v7i1.210","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在这篇文章中,我提出了元策展的另一种哲学方法。虽然围绕元策展内容的争论通常围绕后数字艺术等技术展开,但我更倾向于从更广阔的视角来审视其本体论意义。我通过让-鲍德里亚(Jean Baudrillard)的 "诱惑 "概念和乔治-阿甘本(Giorgio Agamben)的 "观赏性"(spectrality)概念来考虑元策展的现实主义或反现实主义假设。simulacrum和spectrality都倾向于支持一种反现实主义的元策展方法,在这种方法中,物品的价值在不断被表面诱惑性或spectrality浮动的语境所预设的情况下变得脆弱。元策展是反现实主义的,我认为元策展是现实主义的。作为一个案例,扎哈-哈迪德(Zaha Hadid)的澳门莫菲斯(Morpheus in Macao)中的诱惑性和幽灵性表明,元策展并非完全无视,而是提出了一个问题,即如何在建筑对象的推动下建立一种反脆弱的现实主义。
In this essay, I present an alternative philosophical approach to meta-curating. While the debate surrounding the meta-curating of content often centers around technology like post-digital art, I prefer to take a broader perspective and examine its ontological implications. I consider the realist or anti-realist assumptions of meta-curating through Jean Baudrillard’s concept of seduction and Giorgio Agamben’s idea of spectrality. Both simulacrum and spectrality tend to support an anti-realist approach to meta-curating where the value of the object is made fragile when constantly predetermined by a superficially seductive or spectrally floating context. Against meta-curating as anti-realist, I argue that meta-curation is realist. As a case, the seductive and the spectral in Zaha Hadid’s Morpheus in Macao demonstrate that meta-curating does not completely disregard, but rather raises the question of how to establish an antifragile realism prompted by an architectural object.