{"title":"狗的力量谁的目光?阅读萨维奇的小说,观看坎皮恩的电影","authors":"David Willbern","doi":"10.1353/aim.2023.a918112","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>The chapter compares and critiques two versions of one story: the original novel and its cinematic treatment over 50 years later. It briefly reviews changes in clinical and social ideas about gender and sexuality, especially homosexuality, during the 20th and 21st centuries. Then it addresses theoretical differences between the genres of text and film, and the idea of the \"male gaze.\" Through close readings of the novel and the film, it demonstrates energies and tensions between concepts of male and female, gay and straight.</p></p>","PeriodicalId":44377,"journal":{"name":"AMERICAN IMAGO","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Power of the Dog: Whose Gaze? Reading Savage's Novel, Watching Campion's Film\",\"authors\":\"David Willbern\",\"doi\":\"10.1353/aim.2023.a918112\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>The chapter compares and critiques two versions of one story: the original novel and its cinematic treatment over 50 years later. It briefly reviews changes in clinical and social ideas about gender and sexuality, especially homosexuality, during the 20th and 21st centuries. Then it addresses theoretical differences between the genres of text and film, and the idea of the \\\"male gaze.\\\" Through close readings of the novel and the film, it demonstrates energies and tensions between concepts of male and female, gay and straight.</p></p>\",\"PeriodicalId\":44377,\"journal\":{\"name\":\"AMERICAN IMAGO\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-01-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AMERICAN IMAGO\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/aim.2023.a918112\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AMERICAN IMAGO","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/aim.2023.a918112","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
The Power of the Dog: Whose Gaze? Reading Savage's Novel, Watching Campion's Film
Abstract:
The chapter compares and critiques two versions of one story: the original novel and its cinematic treatment over 50 years later. It briefly reviews changes in clinical and social ideas about gender and sexuality, especially homosexuality, during the 20th and 21st centuries. Then it addresses theoretical differences between the genres of text and film, and the idea of the "male gaze." Through close readings of the novel and the film, it demonstrates energies and tensions between concepts of male and female, gay and straight.
期刊介绍:
Founded in 1939 by Sigmund Freud and Hanns Sachs, AMERICAN IMAGO is the preeminent scholarly journal of psychoanalysis. Appearing quarterly, AMERICAN IMAGO publishes innovative articles on the history and theory of psychoanalysis as well as on the reciprocal relations between psychoanalysis and the broad range of disciplines that constitute the human sciences. Since 2001, the journal has been edited by Peter L. Rudnytsky, who has made each issue a "special issue" and introduced a topical book review section, with a guest editor for every Fall issue.