勃拉姆斯《升F小调钢琴奏鸣曲》中的一些创新之处

Ge Deng
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摘要

勃拉姆斯通常被视为古典主义的继承者,也有人认为他是 19 世纪德国最具特色的作曲家之一。在勃拉姆斯的管弦乐、室内乐、钢琴和声乐等不同体裁的作品中,大型作品对古典风格的继承最为明显,但在特定的技术方面却表现出革命性的特质。本文探讨了勃拉姆斯的《升 F 小调钢琴奏鸣曲》在动机、调性和句法处理上的一些创新特点,以说明其早期作品中已经出现了进步意识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Some Aspects of Innovation in Brahms's F Sharp Minor Piano Sonata
Brahms was commonly introduced as the successor to the classicism, while some consider him one of the most distinctive German composers of the 19th century. Among Brahms's oeuvre of various genre of orchestral, chamber, piano, and vocal music, large-scale works demonstrate the most obvious inheritance of classical style, however, they exhibit revolutionary qualities in specific technical aspects. This article explores some innovative features of Brahms's F sharp minor piano sonata in treatment of motive, tonal and syntax, to show that the progressive consciousness was emerging already in his early works.
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