"烟幕"--YouTube 上的环境否认主义和殖民意象

Caio Dayrell Santos, Andressa Michelotti, Ricardo Mendonça
{"title":"\"烟幕\"--YouTube 上的环境否认主义和殖民意象","authors":"Caio Dayrell Santos, Andressa Michelotti, Ricardo Mendonça","doi":"10.22409/rmc.v18i1.59776","DOIUrl":null,"url":null,"abstract":"Taking in consideration the role of YouTube in the dissemination of scientific denialism and the radicalization of audiences, this essay analyzes the movie Smoke Screen, Lucas Ferrugem. Produced by “Brasil Paralelo”, the audiovisual work was intends to “prove” the fasehood of the environmental cause. More than misinforming, it organizes beliefs, ideas and discourses of the anti-environmentalist agenda in Brazil, offering an ideological ammunition for the dismantling of environmental protection and the advance of extractivism. Although the movie presents itself as a defense of “the Indians” [sic] and the national sovereignty, Smoke Screen bases itself on an inherently colonial rationality, which reduces the environment to resources to be claimed and indigenous peoples to subjects who need “to evolve” and “to progress” as \"us\".","PeriodicalId":294448,"journal":{"name":"Revista Mídia e Cotidiano","volume":"32 11","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Cortina de Fumaça” - Negacionismo ambiental e imaginário colonial no YouTube\",\"authors\":\"Caio Dayrell Santos, Andressa Michelotti, Ricardo Mendonça\",\"doi\":\"10.22409/rmc.v18i1.59776\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Taking in consideration the role of YouTube in the dissemination of scientific denialism and the radicalization of audiences, this essay analyzes the movie Smoke Screen, Lucas Ferrugem. Produced by “Brasil Paralelo”, the audiovisual work was intends to “prove” the fasehood of the environmental cause. More than misinforming, it organizes beliefs, ideas and discourses of the anti-environmentalist agenda in Brazil, offering an ideological ammunition for the dismantling of environmental protection and the advance of extractivism. Although the movie presents itself as a defense of “the Indians” [sic] and the national sovereignty, Smoke Screen bases itself on an inherently colonial rationality, which reduces the environment to resources to be claimed and indigenous peoples to subjects who need “to evolve” and “to progress” as \\\"us\\\".\",\"PeriodicalId\":294448,\"journal\":{\"name\":\"Revista Mídia e Cotidiano\",\"volume\":\"32 11\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Mídia e Cotidiano\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22409/rmc.v18i1.59776\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Mídia e Cotidiano","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22409/rmc.v18i1.59776","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

考虑到 YouTube 在传播科学否定论和激化受众方面的作用,本文分析了电影《烟幕》(Smoke Screen, Lucas Ferrugem)。这部视听作品由 "Brasil Paralelo "制作,旨在 "证明 "环保事业的坚定性。它不仅仅是误导,还组织了巴西反环境议程的信念、思想和论述,为瓦解环境保护和推进采掘业提供了意识形态弹药。虽然影片以捍卫 "印第安人"[原文如此] 和国家主权为己任,但《烟幕》本身却建立在固有的殖民理性基础之上,它将环境贬低为可以索取的资源,将土著人民贬低为需要像 "我们 "一样 "进化 "和 "进步 "的主体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Cortina de Fumaça” - Negacionismo ambiental e imaginário colonial no YouTube
Taking in consideration the role of YouTube in the dissemination of scientific denialism and the radicalization of audiences, this essay analyzes the movie Smoke Screen, Lucas Ferrugem. Produced by “Brasil Paralelo”, the audiovisual work was intends to “prove” the fasehood of the environmental cause. More than misinforming, it organizes beliefs, ideas and discourses of the anti-environmentalist agenda in Brazil, offering an ideological ammunition for the dismantling of environmental protection and the advance of extractivism. Although the movie presents itself as a defense of “the Indians” [sic] and the national sovereignty, Smoke Screen bases itself on an inherently colonial rationality, which reduces the environment to resources to be claimed and indigenous peoples to subjects who need “to evolve” and “to progress” as "us".
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信