{"title":"神经电贝司吉他合成框架,实现基于攻击-持续-再现的技术控制","authors":"Junya Koguchi, Masanori Morise","doi":"10.1186/s13636-024-00327-9","DOIUrl":null,"url":null,"abstract":"Musical instrument sound synthesis (MISS) often utilizes a text-to-speech framework because of its similarity to speech in terms of generating sounds from symbols. Moreover, a plucked string instrument, such as electric bass guitar (EBG), shares acoustical similarities with speech. We propose an attack-sustain (AS) representation of the playing technique to take advantage of this similarity. The AS representation treats the attack segment as an unvoiced consonant and the sustain segment as a voiced vowel. In addition, we propose a MISS framework for an EBG that can control its playing techniques: (1) we constructed a EBG sound database containing a rich set of playing techniques, (2) we developed a dynamic time warping and timbre conversion to align the sounds and AS labels, (3) we extend an existing MISS framework to control playing techniques using AS representation as control symbols. The experimental evaluation suggests that our AS representation effectively controls the playing techniques and improves the naturalness of the synthetic sound.","PeriodicalId":49202,"journal":{"name":"Eurasip Journal on Audio Speech and Music Processing","volume":"25 1","pages":""},"PeriodicalIF":1.7000,"publicationDate":"2024-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Neural electric bass guitar synthesis framework enabling attack-sustain-representation-based technique control\",\"authors\":\"Junya Koguchi, Masanori Morise\",\"doi\":\"10.1186/s13636-024-00327-9\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Musical instrument sound synthesis (MISS) often utilizes a text-to-speech framework because of its similarity to speech in terms of generating sounds from symbols. Moreover, a plucked string instrument, such as electric bass guitar (EBG), shares acoustical similarities with speech. We propose an attack-sustain (AS) representation of the playing technique to take advantage of this similarity. The AS representation treats the attack segment as an unvoiced consonant and the sustain segment as a voiced vowel. In addition, we propose a MISS framework for an EBG that can control its playing techniques: (1) we constructed a EBG sound database containing a rich set of playing techniques, (2) we developed a dynamic time warping and timbre conversion to align the sounds and AS labels, (3) we extend an existing MISS framework to control playing techniques using AS representation as control symbols. The experimental evaluation suggests that our AS representation effectively controls the playing techniques and improves the naturalness of the synthetic sound.\",\"PeriodicalId\":49202,\"journal\":{\"name\":\"Eurasip Journal on Audio Speech and Music Processing\",\"volume\":\"25 1\",\"pages\":\"\"},\"PeriodicalIF\":1.7000,\"publicationDate\":\"2024-01-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Eurasip Journal on Audio Speech and Music Processing\",\"FirstCategoryId\":\"94\",\"ListUrlMain\":\"https://doi.org/10.1186/s13636-024-00327-9\",\"RegionNum\":3,\"RegionCategory\":\"计算机科学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ACOUSTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eurasip Journal on Audio Speech and Music Processing","FirstCategoryId":"94","ListUrlMain":"https://doi.org/10.1186/s13636-024-00327-9","RegionNum":3,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ACOUSTICS","Score":null,"Total":0}
引用次数: 0
摘要
乐器声音合成(MISS)通常使用文本到语音框架,因为它在从符号生成声音方面与语音相似。此外,电贝司吉他(EBG)等弹拨弦乐器与语音在声学上也有相似之处。为了利用这种相似性,我们提出了弹奏技巧的攻击-持续(AS)表示法。AS 表示法将攻击音段视为无声辅音,将延音音段视为有声元音。此外,我们还提出了一个可控制 EBG 演奏技巧的 MISS 框架:(1) 我们构建了一个包含丰富演奏技巧的 EBG 声音数据库;(2) 我们开发了一种动态时间扭曲和音色转换技术,以调整声音和 AS 标签;(3) 我们扩展了现有的 MISS 框架,以使用 AS 表示作为控制符号来控制演奏技巧。实验评估表明,我们的 AS 表示法能有效控制演奏技巧,并提高合成声音的自然度。
Neural electric bass guitar synthesis framework enabling attack-sustain-representation-based technique control
Musical instrument sound synthesis (MISS) often utilizes a text-to-speech framework because of its similarity to speech in terms of generating sounds from symbols. Moreover, a plucked string instrument, such as electric bass guitar (EBG), shares acoustical similarities with speech. We propose an attack-sustain (AS) representation of the playing technique to take advantage of this similarity. The AS representation treats the attack segment as an unvoiced consonant and the sustain segment as a voiced vowel. In addition, we propose a MISS framework for an EBG that can control its playing techniques: (1) we constructed a EBG sound database containing a rich set of playing techniques, (2) we developed a dynamic time warping and timbre conversion to align the sounds and AS labels, (3) we extend an existing MISS framework to control playing techniques using AS representation as control symbols. The experimental evaluation suggests that our AS representation effectively controls the playing techniques and improves the naturalness of the synthetic sound.
期刊介绍:
The aim of “EURASIP Journal on Audio, Speech, and Music Processing” is to bring together researchers, scientists and engineers working on the theory and applications of the processing of various audio signals, with a specific focus on speech and music. EURASIP Journal on Audio, Speech, and Music Processing will be an interdisciplinary journal for the dissemination of all basic and applied aspects of speech communication and audio processes.