活档案。荒野栖息地中的非人类存在

Martyna Dziadek
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引用次数: 0

摘要

活档案。荒野栖息地中的超人类存在 荒野生态可被视为超人类行动者开始运作的地方。在本文中,被人类遗弃的地方被称为 "未来的废墟",以强调分解功能的动词,并重新定位对未来衰败的认知视角,将其理解为新的人类和超人类的文化-自然的原始组合。本文作者真诚地相信,提供这样一种视角,可以扩展波兰人对废墟的想象,将衰败的视角重新定位为充满活力的超越人类的机构和力量。对构成 "活档案 "的 "原生态"(凯特琳-德希尔维)的研究反思的主题,是卡罗琳娜-格日诺维茨(Karolina Grzywnowicz)2015 年在华沙 Zachęta 展出的项目 "杂草"(Weeds)。通过引入 "生物记忆见证"(gr. Mnemosyne,记忆的美好)一词,作者强调了植物王国及其花卉机构在创造文化和生物纠葛中的主观性。草图的结尾部分对 "活档案 "的概念提出了质疑,并确定了走出人类中心主义认知僵局的轨迹。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Żywe archiwum. Więcej-niż-ludzkie obecności w siedliskach ruderalnych
The Living Archive. More-Than-Human Presences in Ruderal Habitats Ruderal ecologies can be regarded as places where more-than-human actants start to operate. In this article, places abandoned by a man, are called “prospective ruination” to emphasize the verb of decomposition function and to reorient the cognitive perspective of decay into the future, understood as a new human and more-than-human ruderal assemblages of culture-natures. The author of this text truly believes, that providing this kind of view, expands the Polish imaginary related to the rubble, reorienting the perspective of decay, to the vibrant more-than-human agencies and forces. The subject of the research reflection on ruderal ecologies (Caitlin DeSilvey), which constitute a. living archive, is Karolina Grzywnowicz’s project Weeds exhibited in 2015 at Zachęta in Warsaw. By introducing the term “biomnemonic witness” (gr. Mnemosyne, goodness of memory), the author emphasizes the subjectivity of the plant kingdom and its floral agencies in creating cultural and biological entanglements. The coda of the sketch problematizes the notion of a living archive and determines the trajectory of getting out of the anthropocentric cognitive impasse.
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