{"title":"基希讷乌国家马戏团--第一个被列入摩尔多瓦共和国国家保护古迹登记册的社会主义现代主义建筑作品","authors":"A. Trifan","doi":"10.52603/arta.2023.32-1.11","DOIUrl":null,"url":null,"abstract":"Modernism represents one of the most global styles in the history of world culture, dominating almost the entire 20th century. In this context, the Republic of Moldova is no exception having a significant modernist heritage. Numerous projects, materialized in imposing public buildings, are important landmarks in the perception of the identity of our country’s capital during the soviet period. Their research leads to the revelation of the spirit of modernism and of the whole impression of the architectural objects of that period, and last but not least, to the awareness of their real value. Thus, the State Circus attracts the public attention through its artistic qualities: the proportions, the rigorous rhythm of the pillars on the facade, the plastic decorations, as well as through the particularity of representing the historical era in which it was built. The authors of the project, architects S. Şoihet and A. Kiricenko, introduce an expressive volumetric composition into the urban structure, whereas the plastic artists V. Rotari, P. Obuh, L. Yantsen and E. Saakov are preoccupied with emphasizing the playful character of the edifice. Legally unprotected until recently, the architecture of the edifice was in danger of being seriously altered by inappropriate and irreversible interventions. The first step in saving the socialist modernist architectural object is made by the B.A.C.U. Association, which, arguing about the importance of the edifice in the urban context succeeds in including it in the Register of State-protected monuments.","PeriodicalId":55785,"journal":{"name":"Arta","volume":"80 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The State Circus in Chisinau - the first socialist modernist architectural object included in the Register of state protected monuments of the Republic of Moldova\",\"authors\":\"A. Trifan\",\"doi\":\"10.52603/arta.2023.32-1.11\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Modernism represents one of the most global styles in the history of world culture, dominating almost the entire 20th century. In this context, the Republic of Moldova is no exception having a significant modernist heritage. Numerous projects, materialized in imposing public buildings, are important landmarks in the perception of the identity of our country’s capital during the soviet period. Their research leads to the revelation of the spirit of modernism and of the whole impression of the architectural objects of that period, and last but not least, to the awareness of their real value. Thus, the State Circus attracts the public attention through its artistic qualities: the proportions, the rigorous rhythm of the pillars on the facade, the plastic decorations, as well as through the particularity of representing the historical era in which it was built. The authors of the project, architects S. Şoihet and A. Kiricenko, introduce an expressive volumetric composition into the urban structure, whereas the plastic artists V. Rotari, P. Obuh, L. Yantsen and E. Saakov are preoccupied with emphasizing the playful character of the edifice. Legally unprotected until recently, the architecture of the edifice was in danger of being seriously altered by inappropriate and irreversible interventions. The first step in saving the socialist modernist architectural object is made by the B.A.C.U. Association, which, arguing about the importance of the edifice in the urban context succeeds in including it in the Register of State-protected monuments.\",\"PeriodicalId\":55785,\"journal\":{\"name\":\"Arta\",\"volume\":\"80 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arta\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52603/arta.2023.32-1.11\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52603/arta.2023.32-1.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
现代主义是世界文化史上最具全球性的风格之一,几乎主导了整个 20 世纪。在此背景下,摩尔多瓦共和国也不例外,拥有重要的现代主义遗产。在苏维埃时期,许多以气势恢宏的公共建筑为载体的项目都是我国首都形象的重要标志。通过对这些项目的研究,人们可以领悟到现代主义的精神和那个时期建筑的整体印象,并认识到它们的真正价值。因此,国家马戏团通过其艺术品质吸引了公众的注意力:比例、立面柱子的严谨节奏、造型装饰,以及代表其所处历史时代的特殊性。该项目的作者,建筑师 S. Şoihet 和 A. Kiricenko 在城市结构中引入了富有表现力的体积构成,而造型艺术家 V. Rotari、P. Obuh、L. Yantsen 和 E. Saakov 则专注于强调建筑的趣味性。直到最近,这座建筑仍未受到法律保护,其建筑风格面临着被不适当的、不可逆转的干预措施严重改变的危险。B.A.C.U.协会迈出了拯救这座社会主义现代主义建筑的第一步,该协会论证了这座建筑在城市环境中的重要性,并成功地将其列入国家保护古迹登记册。
The State Circus in Chisinau - the first socialist modernist architectural object included in the Register of state protected monuments of the Republic of Moldova
Modernism represents one of the most global styles in the history of world culture, dominating almost the entire 20th century. In this context, the Republic of Moldova is no exception having a significant modernist heritage. Numerous projects, materialized in imposing public buildings, are important landmarks in the perception of the identity of our country’s capital during the soviet period. Their research leads to the revelation of the spirit of modernism and of the whole impression of the architectural objects of that period, and last but not least, to the awareness of their real value. Thus, the State Circus attracts the public attention through its artistic qualities: the proportions, the rigorous rhythm of the pillars on the facade, the plastic decorations, as well as through the particularity of representing the historical era in which it was built. The authors of the project, architects S. Şoihet and A. Kiricenko, introduce an expressive volumetric composition into the urban structure, whereas the plastic artists V. Rotari, P. Obuh, L. Yantsen and E. Saakov are preoccupied with emphasizing the playful character of the edifice. Legally unprotected until recently, the architecture of the edifice was in danger of being seriously altered by inappropriate and irreversible interventions. The first step in saving the socialist modernist architectural object is made by the B.A.C.U. Association, which, arguing about the importance of the edifice in the urban context succeeds in including it in the Register of State-protected monuments.