18 世纪拉芙拉圣像绘画作坊图纸中的乌克兰宗教肖像图解

Q4 Arts and Humanities
Arta Pub Date : 2023-09-01 DOI:10.52603/arta.2023.32-1.04
Taras Veremeienko
{"title":"18 世纪拉芙拉圣像绘画作坊图纸中的乌克兰宗教肖像图解","authors":"Taras Veremeienko","doi":"10.52603/arta.2023.32-1.04","DOIUrl":null,"url":null,"abstract":"Based on archival documents and drawings of the icon-painting workshop of the Kyiv-Pechersk Lavra in the 18th century, the article analyzes mainly the inscriptions made by the authors and also the Ukrainian element in the Ukrainian baroque. The author presents the level of research on this topic. It is established that the Lavra icon-painting workshop had a high level of teaching the icon-painting science. In 1763, the Lavra workshop was transformed into a “school”. The administrators of the school not only monitored the general conditions, but also taught icon-painting. The students were divided into 2 groups: one group consisted of apprentices, the other of pupils. The students in the Lavra studied according to Western books. On the example of several drawings, the author shows the uniqueness of religious subjects, one of the features of which was to paint the image of saints in a typical Ukrainian manner.","PeriodicalId":55785,"journal":{"name":"Arta","volume":"29 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Iconography of Ukrainian religious portraits in the drawings of the Lavra icon-painting workshop of the 18th century\",\"authors\":\"Taras Veremeienko\",\"doi\":\"10.52603/arta.2023.32-1.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Based on archival documents and drawings of the icon-painting workshop of the Kyiv-Pechersk Lavra in the 18th century, the article analyzes mainly the inscriptions made by the authors and also the Ukrainian element in the Ukrainian baroque. The author presents the level of research on this topic. It is established that the Lavra icon-painting workshop had a high level of teaching the icon-painting science. In 1763, the Lavra workshop was transformed into a “school”. The administrators of the school not only monitored the general conditions, but also taught icon-painting. The students were divided into 2 groups: one group consisted of apprentices, the other of pupils. The students in the Lavra studied according to Western books. On the example of several drawings, the author shows the uniqueness of religious subjects, one of the features of which was to paint the image of saints in a typical Ukrainian manner.\",\"PeriodicalId\":55785,\"journal\":{\"name\":\"Arta\",\"volume\":\"29 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arta\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52603/arta.2023.32-1.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52603/arta.2023.32-1.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

文章以 18 世纪基辅-佩切尔斯克修道院圣像绘画工作室的档案文件和图纸为基础,主要分析了作者的题词以及乌克兰巴洛克风格中的乌克兰元素。作者介绍了该主题的研究水平。研究表明,拉弗拉圣像绘画工作室在圣像绘画教学方面具有很高的水平。1763 年,拉芙拉工作室转变为一所 "学校"。学校的管理者不仅要监督一般情况,还要教授圣像绘画。学生分为两组:一组是学徒,另一组是学生。修道院的学生根据西方书籍进行学习。作者以几幅画为例,展示了宗教题材的独特性,其中一个特点是以典型的乌克兰方式绘制圣人形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Iconography of Ukrainian religious portraits in the drawings of the Lavra icon-painting workshop of the 18th century
Based on archival documents and drawings of the icon-painting workshop of the Kyiv-Pechersk Lavra in the 18th century, the article analyzes mainly the inscriptions made by the authors and also the Ukrainian element in the Ukrainian baroque. The author presents the level of research on this topic. It is established that the Lavra icon-painting workshop had a high level of teaching the icon-painting science. In 1763, the Lavra workshop was transformed into a “school”. The administrators of the school not only monitored the general conditions, but also taught icon-painting. The students were divided into 2 groups: one group consisted of apprentices, the other of pupils. The students in the Lavra studied according to Western books. On the example of several drawings, the author shows the uniqueness of religious subjects, one of the features of which was to paint the image of saints in a typical Ukrainian manner.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Arta
Arta Arts and Humanities-Visual Arts and Performing Arts
自引率
0.00%
发文量
19
审稿时长
32 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信