音乐和视觉力量的量规对称性

IF 0.3 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS
Peter beim Graben
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引用次数: 0

摘要

在回顾了阿恩海姆(Arnheim)和拉尔森(Larson)受格式塔心理学基本原理启发而分别对音乐和视觉力量进行的物理或隐喻描述之后,我提出了一个基于对称原理和量规理论的新颖、自然主义的数学框架。在音乐学中,这种方法已被应用于导致五度圆变形的音调吸引现象。其基本的量规对称原来是音乐量子模型的 SO(2) 李群。在此,我提出了另一种黎曼几何描述。它对无穷小线元不变性的基本约束导致五度圆变形为五度心。在视觉方面,同样的方法也被应用于弗雷泽的扭绳幻觉,在这种幻觉中,同心圆通过棋盘背景诱导的光学规整场变形为松鼠形物体。图形抽象
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gauge symmetries of musical and visual forces
After reviewing the physicalistic or metaphorical accounts to musical and visual forces by Arnheim and Larson, respectively, which were inspired by the basic tenets of gestalt psychology, I present a novel, naturalistic, mathematical framework, based on symmetry principles and gauge theory. In musicology, this approach has already been applied to the phenomenon of tonal attraction, leading to a deformation of the circle of fifths. The underlying gauge symmetry turns out as the SO(2) Lie group of a musical quantum model. Here, I present an alternative description in terms of Riemannian geometry. Its essential constraint of invariance of the infinitesimal line element leads to a deformation of the circle of fifths into a heart of fifths. In vision, the same approach is applied to Fraser's twisted cord illusion where concentric circles are deformed to squircle objects by means of an optical gauge field induced through a checkerboard background. GRAPHICAL ABSTRACT
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来源期刊
Journal of Mathematics and the Arts
Journal of Mathematics and the Arts MATHEMATICS, INTERDISCIPLINARY APPLICATIONS-
CiteScore
0.50
自引率
0.00%
发文量
19
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