在 "霹雳坏蛋 "和 "老大哥 "之间:克罗地亚的社会阶层与电视偏好

IF 1.2 3区 社会学 Q3 SOCIOLOGY
Krešimir Krolo, Željka Tonković, Dina Vozab
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引用次数: 0

摘要

本文论述了电视偏好作为阶级分化的标志,既是一种体现性文化资本,也是克罗地亚本地和全球文化结构中的一种消费模式。数据分析来自 "克罗地亚社会分层 "调查:结构和主观方面 "调查中提取的数据进行分析,该调查以克罗地亚成年公民为全国概率样本。因子分析发现了电视偏好的两个主要维度:现实奇观和外国小说偏好,这两个维度被认为是本地化和全球化文化偏好的指标。进一步的分析表明,这些因素的结构也与受访者的阶级地位有关。通过多元回归分析,数据得出的结论是,工人阶级更喜欢国内语言的电视内容,并偏爱大众娱乐节目(肥皂剧、选秀节目和真人秀节目)。然而,主流阶级却排斥 "低俗 "的电视内容,这凸显了文化领域的阶级分化。分析不仅揭示了阶级立场如何决定这些偏好,还揭示了年龄、性别和音乐品味在电视偏好形成过程中的重要作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Between Breaking Bad and Big Brother: Social Class and Television Preferences in Croatia
This article addresses TV preferences as a marker of class divisions both as a type of embodied cultural capital and as a pattern of consumption within the local and global cultural structure in Croatia. Data analysis is extracted from the survey ‘Social Stratification in Croatia: Structural and Subjective Aspects’, conducted on a nationally probabilistic sample of adult Croatian citizens. Factor analysis discovered two main dimensions of television preferences: reality spectacle and foreign fiction preferences, which were recognised as indicators of localised and globalised culture preferences. Further analysis established that these factors are also structured along the class positions of the respondents. Using multiple regression analysis, data suggest the conclusion that the working class prefers TV content in the domestic language and heavy on popular entertainment programming (soap operas, talent, and reality shows). However, the dominant class repudiate ‘lowbrow’ TV content, which highlights class divisions in the cultural field. The analysis sheds light not only on how class positions structure these preferences but also on the important role of age, gender, and music taste play in the formation of television preferences.
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来源期刊
CiteScore
2.80
自引率
6.20%
发文量
67
期刊介绍: Sociological Research Online has been published quarterly online since March 1996. Articles published in the journal are peer-reviewed by a distinguished Editorial Board and qualify for inclusion in the UK Research Assessment Exercise. Sociological Research Online was established under the Electronic Libraries Programme (eLib). When funding ceased in September 1998, Sociological Research Online introduced institutional subscriptions in order to be able to continue publishing high quality sociology. The journal is still available without charge to individuals accessing it from non-institutional networks.
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