{"title":"在 \"霹雳坏蛋 \"和 \"老大哥 \"之间:克罗地亚的社会阶层与电视偏好","authors":"Krešimir Krolo, Željka Tonković, Dina Vozab","doi":"10.1177/13607804231207253","DOIUrl":null,"url":null,"abstract":"This article addresses TV preferences as a marker of class divisions both as a type of embodied cultural capital and as a pattern of consumption within the local and global cultural structure in Croatia. Data analysis is extracted from the survey ‘Social Stratification in Croatia: Structural and Subjective Aspects’, conducted on a nationally probabilistic sample of adult Croatian citizens. Factor analysis discovered two main dimensions of television preferences: reality spectacle and foreign fiction preferences, which were recognised as indicators of localised and globalised culture preferences. Further analysis established that these factors are also structured along the class positions of the respondents. Using multiple regression analysis, data suggest the conclusion that the working class prefers TV content in the domestic language and heavy on popular entertainment programming (soap operas, talent, and reality shows). However, the dominant class repudiate ‘lowbrow’ TV content, which highlights class divisions in the cultural field. The analysis sheds light not only on how class positions structure these preferences but also on the important role of age, gender, and music taste play in the formation of television preferences.","PeriodicalId":47694,"journal":{"name":"Sociological Research Online","volume":"216 1","pages":""},"PeriodicalIF":1.2000,"publicationDate":"2023-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Between Breaking Bad and Big Brother: Social Class and Television Preferences in Croatia\",\"authors\":\"Krešimir Krolo, Željka Tonković, Dina Vozab\",\"doi\":\"10.1177/13607804231207253\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article addresses TV preferences as a marker of class divisions both as a type of embodied cultural capital and as a pattern of consumption within the local and global cultural structure in Croatia. Data analysis is extracted from the survey ‘Social Stratification in Croatia: Structural and Subjective Aspects’, conducted on a nationally probabilistic sample of adult Croatian citizens. Factor analysis discovered two main dimensions of television preferences: reality spectacle and foreign fiction preferences, which were recognised as indicators of localised and globalised culture preferences. Further analysis established that these factors are also structured along the class positions of the respondents. Using multiple regression analysis, data suggest the conclusion that the working class prefers TV content in the domestic language and heavy on popular entertainment programming (soap operas, talent, and reality shows). However, the dominant class repudiate ‘lowbrow’ TV content, which highlights class divisions in the cultural field. The analysis sheds light not only on how class positions structure these preferences but also on the important role of age, gender, and music taste play in the formation of television preferences.\",\"PeriodicalId\":47694,\"journal\":{\"name\":\"Sociological Research Online\",\"volume\":\"216 1\",\"pages\":\"\"},\"PeriodicalIF\":1.2000,\"publicationDate\":\"2023-11-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sociological Research Online\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/13607804231207253\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"SOCIOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sociological Research Online","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/13607804231207253","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"SOCIOLOGY","Score":null,"Total":0}
Between Breaking Bad and Big Brother: Social Class and Television Preferences in Croatia
This article addresses TV preferences as a marker of class divisions both as a type of embodied cultural capital and as a pattern of consumption within the local and global cultural structure in Croatia. Data analysis is extracted from the survey ‘Social Stratification in Croatia: Structural and Subjective Aspects’, conducted on a nationally probabilistic sample of adult Croatian citizens. Factor analysis discovered two main dimensions of television preferences: reality spectacle and foreign fiction preferences, which were recognised as indicators of localised and globalised culture preferences. Further analysis established that these factors are also structured along the class positions of the respondents. Using multiple regression analysis, data suggest the conclusion that the working class prefers TV content in the domestic language and heavy on popular entertainment programming (soap operas, talent, and reality shows). However, the dominant class repudiate ‘lowbrow’ TV content, which highlights class divisions in the cultural field. The analysis sheds light not only on how class positions structure these preferences but also on the important role of age, gender, and music taste play in the formation of television preferences.
期刊介绍:
Sociological Research Online has been published quarterly online since March 1996. Articles published in the journal are peer-reviewed by a distinguished Editorial Board and qualify for inclusion in the UK Research Assessment Exercise. Sociological Research Online was established under the Electronic Libraries Programme (eLib). When funding ceased in September 1998, Sociological Research Online introduced institutional subscriptions in order to be able to continue publishing high quality sociology. The journal is still available without charge to individuals accessing it from non-institutional networks.