保护文化遗产:喜马偕尔邦的手摇纺织机

Babita Bhandari
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引用次数: 0

摘要

长期以来,印度的传统纺织品一直是其丰富文化遗产的体现。在当今世界,这些产品已被广泛商业化,以至于失去了其真实性。工匠群体需要紧跟当前的市场趋势,以创造对其产品的需求。手工艺生态系统的赋权需要手工艺从业者的真诚努力,以促进产品多样化和更广泛的市场覆盖。喜马偕尔邦不仅拥有丰富的生物多样性,还拥有金属、编织、针织和绘画等各种手工艺。本文努力对库尔勒传统手工编织产品进行编目,包括使用的原材料、遵循的流程、图案和色调等。此外,本文还报道了喜马偕尔邦著名手工艺企业家安舒尔-马尔霍特拉女士为在印度和国外推广库卢和金瑙尔地区的传统编织设计而采取的举措。Anshul Malhotra 女士通过组合新的色彩、探索不同的纱线和编织组合来进行设计干预,这将成为设计界和手工艺界的指导源泉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SUSTAINING THE CULTURAL HERITAGE: HANDLOOMS IN HIMACHAL PRADESH
Traditional textiles in India have been a reflection of its rich cultural heritage for ages. In today’s global world, these products have been extensively commercialized to the extent of losing their authenticity. The artisan communities need to be abreast with current market trends in order to create a demand for their products. The empowerment of the craft ecosystem demands sincere efforts on the part of craft practitioners to facilitate product diversification and wider market reach. However, artisanal products need to be put at the forefront of any design intervention without losing the essence of the original craft.Himachal Pradesh is not only rich in biodiversity but also in various crafts like metal, weaving, knitting, and painting. In this paper, an effort has been made to catalog the products of traditional Kullu Handloom weaving with the raw materials used, the process followed, motifs and colour palette etc. Moreover, initiatives taken by Ms. Anshul Malhotra, a well-known craft entrepreneur in Himachal Pradesh for popularizing the traditional woven designs of the Kullu and Kinnaur region in India and abroad have been reported. Design interventions made by combining new colors and exploring different combinations of yarns and weaves by Ms Anshul Malhotra would serve as a guiding source for the design and artisan communities alike.
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