战后时期(二十世纪 30-50 年代)乌兹别克斯坦风景画的总体特征

Туланова Дилноза Журахановна
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引用次数: 0

摘要

研究目的在二十世纪 30-50 年代艺术文化潮流的背景下,探讨乌兹别克斯坦风景画发展的具体情况。研究方法:现代艺术史的系统分类和流派方法,包括对二十世纪 30-50 年代乌兹别克斯坦风景画发展的历史分析。成果:乌兹别克斯坦风景画发展任务的实现,与俄罗斯和世界艺术趋势和文化遗产相关的造型搜索的发展,形成了一种新的自然图像类型学,在各种趋势中得到诠释,这对于改进关于乌兹别克美术进一步发展的总体创造性研究是必要的。科学新颖性:决定乌兹别克斯坦美术的总体状况、成就和发展的艺术进程,是建立在以下组成部分的关系和动态基础之上的:由民族文化状况决定的某种风格群体、一系列独特的传统,以及与所谓的现代风格之间的关系,这种现代风格从 20 世纪下半叶开始在乌兹别克斯坦美术中确立;这些因素的结合促进了景观类型在美术中的推广,使其成为反映现代文化概念的主要类型之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
GENERAL CHARACTERISTICS OF LANDSCAPE PAINTING OF UZBEKISTAN IN THE POST-WAR PERIOD (30-50-ies of the twentieth century)
Purpose of the study: To explore the specifics of the development of landscape painting in Uzbekistan in the context of cultural trends in art – the 30–50 s of the twentieth century. Research methods : Systematic classification and genre approaches of modern art histo - ry, including historical analysis of the development of landscape painting in Uzbekistan in the 30–50s of the twentieth century. Results : The actualization of tasks for the formation of landscape painting in Uzbekistan, the development of plastic searches related to the trends and cultural heritage of Russian and world art, formed a new typology of images of nature, interpreted in various trends, which was necessary to improve creative research on the further development of the fine arts of Uzbeki - stan in in general. Scientific novelty: The artistic process, which determined the general state, achievements and development of the fine arts of Uzbekistan, was based on the relationship and dynamics of such components as: a certain stylistic community, determined by the state of national culture, a set of unique traditions, as well as relations with the so-called modern style, established in the fine arts of Uzbekistan from the second half of the twentieth century; the combination of these factors contributed to the promotion of the landscape genre in art as one of the main ones that reflected the concept of modern culture.
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