{"title":"战后时期(二十世纪 30-50 年代)乌兹别克斯坦风景画的总体特征","authors":"Туланова Дилноза Журахановна","doi":"10.29013/eja-23-4-24-29","DOIUrl":null,"url":null,"abstract":"Purpose of the study: To explore the specifics of the development of landscape painting in Uzbekistan in the context of cultural trends in art – the 30–50 s of the twentieth century. Research methods : Systematic classification and genre approaches of modern art histo - ry, including historical analysis of the development of landscape painting in Uzbekistan in the 30–50s of the twentieth century. Results : The actualization of tasks for the formation of landscape painting in Uzbekistan, the development of plastic searches related to the trends and cultural heritage of Russian and world art, formed a new typology of images of nature, interpreted in various trends, which was necessary to improve creative research on the further development of the fine arts of Uzbeki - stan in in general. Scientific novelty: The artistic process, which determined the general state, achievements and development of the fine arts of Uzbekistan, was based on the relationship and dynamics of such components as: a certain stylistic community, determined by the state of national culture, a set of unique traditions, as well as relations with the so-called modern style, established in the fine arts of Uzbekistan from the second half of the twentieth century; the combination of these factors contributed to the promotion of the landscape genre in art as one of the main ones that reflected the concept of modern culture.","PeriodicalId":317481,"journal":{"name":"European Journal of Arts","volume":"70 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"GENERAL CHARACTERISTICS OF LANDSCAPE PAINTING OF UZBEKISTAN IN THE POST-WAR PERIOD (30-50-ies of the twentieth century)\",\"authors\":\"Туланова Дилноза Журахановна\",\"doi\":\"10.29013/eja-23-4-24-29\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Purpose of the study: To explore the specifics of the development of landscape painting in Uzbekistan in the context of cultural trends in art – the 30–50 s of the twentieth century. Research methods : Systematic classification and genre approaches of modern art histo - ry, including historical analysis of the development of landscape painting in Uzbekistan in the 30–50s of the twentieth century. Results : The actualization of tasks for the formation of landscape painting in Uzbekistan, the development of plastic searches related to the trends and cultural heritage of Russian and world art, formed a new typology of images of nature, interpreted in various trends, which was necessary to improve creative research on the further development of the fine arts of Uzbeki - stan in in general. Scientific novelty: The artistic process, which determined the general state, achievements and development of the fine arts of Uzbekistan, was based on the relationship and dynamics of such components as: a certain stylistic community, determined by the state of national culture, a set of unique traditions, as well as relations with the so-called modern style, established in the fine arts of Uzbekistan from the second half of the twentieth century; the combination of these factors contributed to the promotion of the landscape genre in art as one of the main ones that reflected the concept of modern culture.\",\"PeriodicalId\":317481,\"journal\":{\"name\":\"European Journal of Arts\",\"volume\":\"70 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-11-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29013/eja-23-4-24-29\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29013/eja-23-4-24-29","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
GENERAL CHARACTERISTICS OF LANDSCAPE PAINTING OF UZBEKISTAN IN THE POST-WAR PERIOD (30-50-ies of the twentieth century)
Purpose of the study: To explore the specifics of the development of landscape painting in Uzbekistan in the context of cultural trends in art – the 30–50 s of the twentieth century. Research methods : Systematic classification and genre approaches of modern art histo - ry, including historical analysis of the development of landscape painting in Uzbekistan in the 30–50s of the twentieth century. Results : The actualization of tasks for the formation of landscape painting in Uzbekistan, the development of plastic searches related to the trends and cultural heritage of Russian and world art, formed a new typology of images of nature, interpreted in various trends, which was necessary to improve creative research on the further development of the fine arts of Uzbeki - stan in in general. Scientific novelty: The artistic process, which determined the general state, achievements and development of the fine arts of Uzbekistan, was based on the relationship and dynamics of such components as: a certain stylistic community, determined by the state of national culture, a set of unique traditions, as well as relations with the so-called modern style, established in the fine arts of Uzbekistan from the second half of the twentieth century; the combination of these factors contributed to the promotion of the landscape genre in art as one of the main ones that reflected the concept of modern culture.