安东尼-高迪的居尔亭是新神话的典范

Carles Rius
{"title":"安东尼-高迪的居尔亭是新神话的典范","authors":"Carles Rius","doi":"10.18002/da.i22.7603","DOIUrl":null,"url":null,"abstract":"The Güell Pavilions are known for being the first work that Antoni Gaudí built for the person that would become his main patron, Eusebi Güell. For years, these buildings have been considered to have some functional roles, and to contain some sporadic references to the L’Atlàntida, a poem written by Jacint Verdaguer. In this paper, however, I will argue that this work of Gaudí is more than this, since L’Atlàntida was already a good example of the idea of a new mythology, and Gaudí intertwined these literary references with “aesthetic geometry”, which had been reconstructed by the German artist Peter Lenz. I will show where and how this geometry is present in the Güell Pavilions. As a result, these buildings will reveal as an organic work, and a good example of the idea of a new mythology applied to plastic arts.","PeriodicalId":505310,"journal":{"name":"De Arte. Revista de Historia del Arte","volume":"17 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Güell Pavilions of Antoni Gaudí as an example of new mythology\",\"authors\":\"Carles Rius\",\"doi\":\"10.18002/da.i22.7603\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Güell Pavilions are known for being the first work that Antoni Gaudí built for the person that would become his main patron, Eusebi Güell. For years, these buildings have been considered to have some functional roles, and to contain some sporadic references to the L’Atlàntida, a poem written by Jacint Verdaguer. In this paper, however, I will argue that this work of Gaudí is more than this, since L’Atlàntida was already a good example of the idea of a new mythology, and Gaudí intertwined these literary references with “aesthetic geometry”, which had been reconstructed by the German artist Peter Lenz. I will show where and how this geometry is present in the Güell Pavilions. As a result, these buildings will reveal as an organic work, and a good example of the idea of a new mythology applied to plastic arts.\",\"PeriodicalId\":505310,\"journal\":{\"name\":\"De Arte. Revista de Historia del Arte\",\"volume\":\"17 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"De Arte. Revista de Historia del Arte\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18002/da.i22.7603\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"De Arte. Revista de Historia del Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18002/da.i22.7603","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

居尔亭因安东尼-高迪为后来成为他主要赞助人的尤西比-居尔建造的第一件作品而闻名。多年来,这些建筑一直被认为具有一些功能性作用,并零星地引用了雅辛特-维达盖尔(Jacint Verdaguer)所写的一首诗《L'Atlàntida》。然而,在本文中,我将论证高迪的这一作品不仅如此,因为《L'Atlàntida》已经是新神话理念的一个很好的例子,高迪将这些文学引用与 "美学几何 "交织在一起,而 "美学几何 "是由德国艺术家彼得-伦茨(Peter Lenz)重新构建的。我将向大家展示这种几何图形在居尔亭中出现的位置和方式。因此,这些建筑将成为一件有机的作品,也是将新神话的理念应用于造型艺术的典范。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Güell Pavilions of Antoni Gaudí as an example of new mythology
The Güell Pavilions are known for being the first work that Antoni Gaudí built for the person that would become his main patron, Eusebi Güell. For years, these buildings have been considered to have some functional roles, and to contain some sporadic references to the L’Atlàntida, a poem written by Jacint Verdaguer. In this paper, however, I will argue that this work of Gaudí is more than this, since L’Atlàntida was already a good example of the idea of a new mythology, and Gaudí intertwined these literary references with “aesthetic geometry”, which had been reconstructed by the German artist Peter Lenz. I will show where and how this geometry is present in the Güell Pavilions. As a result, these buildings will reveal as an organic work, and a good example of the idea of a new mythology applied to plastic arts.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信