{"title":"乌菲兹美术馆二战后装修的(部分)图片介绍","authors":"Benedetta Cestelli Guidi","doi":"10.36253/opus-14851","DOIUrl":null,"url":null,"abstract":"A selection of photographs of the Uffizi’s renewals and displays, taken mainly before and after World War II, represent the core of the visual essay. The images belong to four distinctive photographic documentations of the gallery, commissioned in order to record the exhibition designs each time they were dismantled and renewed. The photographs were shot by the photographers of the Gabinetto Fotografico delle Gallerie degli Uffizi (1904-on going). The ones reproduced here are held in the central photo archive of the former Direzione Generale Antichità e Belle Arti. Their documentary value lies in both the image and its recto, where information such as the inventory number of the photography was printed. Many other traces of their afterlife can be found in the many notes, dates and comments which proved to be strategic in dating, even “to the month”, the renewal of the spaces and the arrangement of the pictures. The images are ordered in three discursive sections that link the on-going renewal of the Galleria in these decades to the contemporary critical debate on museum arrangements.","PeriodicalId":505818,"journal":{"name":"Opus Incertum","volume":"91 4","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Un racconto fotografico (parziale) degli allestimenti della Galleria degli Uffizi nel secondo dopoguerra\",\"authors\":\"Benedetta Cestelli Guidi\",\"doi\":\"10.36253/opus-14851\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A selection of photographs of the Uffizi’s renewals and displays, taken mainly before and after World War II, represent the core of the visual essay. The images belong to four distinctive photographic documentations of the gallery, commissioned in order to record the exhibition designs each time they were dismantled and renewed. The photographs were shot by the photographers of the Gabinetto Fotografico delle Gallerie degli Uffizi (1904-on going). The ones reproduced here are held in the central photo archive of the former Direzione Generale Antichità e Belle Arti. Their documentary value lies in both the image and its recto, where information such as the inventory number of the photography was printed. Many other traces of their afterlife can be found in the many notes, dates and comments which proved to be strategic in dating, even “to the month”, the renewal of the spaces and the arrangement of the pictures. The images are ordered in three discursive sections that link the on-going renewal of the Galleria in these decades to the contemporary critical debate on museum arrangements.\",\"PeriodicalId\":505818,\"journal\":{\"name\":\"Opus Incertum\",\"volume\":\"91 4\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Opus Incertum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36253/opus-14851\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Opus Incertum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36253/opus-14851","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这篇视觉散文的核心部分是乌菲兹美术馆更新和展示的部分照片,主要拍摄于第二次世界大战前后。这些图片属于美术馆的四种独特的摄影记录,是为了记录每次拆除和更新时的展览设计而委托拍摄的。这些照片由 Gabinetto Fotografico delle Gallerie degli Uffizi(1904 年至今)的摄影师拍摄。这里复制的照片保存在前 Antichità e Belle Arti 总署的中央照片档案中。它们的文献价值在于图像及其直面,其中印有摄影作品的库存编号等信息。在许多注释、日期和评论中,我们还可以发现许多其他的蛛丝马迹,这些注释、日期和评论在确定日期(甚至 "精确到月")、空间更新和图片排列方面都很有帮助。这些图片被分为三个讨论部分,将这几十年来美术馆的持续更新与当代关于博物馆布置的批判性辩论联系在一起。
Un racconto fotografico (parziale) degli allestimenti della Galleria degli Uffizi nel secondo dopoguerra
A selection of photographs of the Uffizi’s renewals and displays, taken mainly before and after World War II, represent the core of the visual essay. The images belong to four distinctive photographic documentations of the gallery, commissioned in order to record the exhibition designs each time they were dismantled and renewed. The photographs were shot by the photographers of the Gabinetto Fotografico delle Gallerie degli Uffizi (1904-on going). The ones reproduced here are held in the central photo archive of the former Direzione Generale Antichità e Belle Arti. Their documentary value lies in both the image and its recto, where information such as the inventory number of the photography was printed. Many other traces of their afterlife can be found in the many notes, dates and comments which proved to be strategic in dating, even “to the month”, the renewal of the spaces and the arrangement of the pictures. The images are ordered in three discursive sections that link the on-going renewal of the Galleria in these decades to the contemporary critical debate on museum arrangements.