学科、媒介和目标受众对多模态重构实践的影响:网络科普视频案例

Ibérica Pub Date : 2023-12-15 DOI:10.17398/2340-2784.46.237
Julia Valeiras-Jurado, Noelia Ruiz-Madrid
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引用次数: 0

摘要

本研究有助于我们了解支持开放科学在线传播实践的快速发展的体裁。研究的重点是科普在线视频(即传播科学内容的 10 分钟视频),这些视频以前曾被描述为科学娱乐或寓教于乐的类型。与其他向非专业受众传播科学内容的类型一样,它们也需要对信息进行重新语境化。为此,它们采取了一系列策略,使信息符合受众的假定知识、建立可信度并吸引受众(Pérez-Llantada,2021 年)。鉴于这些视频的多模态性质,其中涉及的重新语境化过程意味着复杂的多模态组合。我们的目标是更深入地了解这些组合以及它们是如何实施多模态再语境化策略的(Luzón, 2019; Rowley-Jolivet & Carter-Thomas, 2019; Ruiz-Madrid & Valeiras-Jurado, 2023)。特别是,我们希望找出不同学科视频中多模态再语境化方式的异同。由此,我们希望能对这一新兴类型做出更准确的描述。为此,我们采用了多模态话语分析方法,并使用专门的标注软件对四个选定实例进行了比较分析。分析揭示了所使用的策略及其模态实现方面的异同。我们的研究结果表明,虽然大多数相似之处是由网络媒介引发的,但差异主要归因于目标受众,其次是科学学科。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The influence of discipline, medium and target audience in multimodal recontextualization practices: The case of popular science online videos
This study contributes to our knowledge about the rapidly evolving repertoire of genres that support Open Science communication practices online. The focus lies on popular science online videos (i.e., 10-minute videos that disseminate scientific content), which have been previously described as scifotainment or edutainment genres. Like other genres that disseminate science to lay audiences, they partake from a need to recontextualise information. To this aim they resort to a number of strategies that tailor the information to the assumed knowledge of the audience, build credibility and engage the audience (Pérez-Llantada, 2021). Given the multimodal nature of these videos, the recontextualisation processes involved in them imply the orchestration of complex multimodal ensembles. Our aim is to gain more insight into these ensembles and how they enact multimodal recontextualisation strategies (Luzón, 2019; Rowley-Jolivet & Carter-Thomas, 2019; Ruiz-Madrid & Valeiras-Jurado, 2023). In particular, we want to identify similarities and differences in the way multimodal recontextualisation is carried out in videos from different disciplines. With this, we want to contribute to a more accurate description of this emerging genre. To this aim, we adopt a Multimodal Discourse Analysis approach and use specialised annotation software for the comparative analysis of four selected examples. The analysis reveals both similarities and differences regarding the strategies used and their modal realisations. Our findings suggest that while most similarities are triggered by the online medium, the differences can be mainly attributed to the target audience, and to a lesser extent to the scientific discipline.
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