20 世纪 30 年代苏联建筑的风格趋势

Andrey Barkhin
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引用次数: 0

摘要

1932 年,苏维埃宫竞赛正式宣布以 "掌握古典遗产 "为重点。从那时起,苏联建筑师开始热衷于意大利文艺复兴时期的图案和革命前的国内建筑传统。然而,1934 年,苏维埃宫以创新的肋骨式风格和装饰艺术的形式通过了建筑验收。当年,这种建筑风格在国外也得到了发展。纽约和芝加哥成为装饰艺术风格摩天大楼数量快速增长的中心;华盛顿的新中心则采用了新古典主义风格。所有这些都让我们看到了 20 世纪 30 年代苏联建筑与外国建筑风格并行的现象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Style trends in Soviet architecture of the 1930s
In 1932, the competition for the Palace of the Soviets formally proclaimed a focus on “mastering the classical heritage”. From that moment on, Soviet architects turned with passion to Italian Renaissance motifs and the tradition of domestic pre-revolutionary architecture. However, in 1934, the Palace of Soviets was accepted for construction in an innovative, ribbed style and Art Deco forms. In those years, that kind of architecture was developing abroad as well. New York and Chicago became centres of rapid growth in the number of skyscrapers in Art Deco style; the new centre of Washington was worked out in Neoclassical style. All this allows us to record the phenomenon of style parallelism in the Soviet and foreign architecture of the 1930s.
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