社会意识背景下海报设计中的暴力概念:BIAH 竞赛调查

Orhun Türker
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引用次数: 0

摘要

海报设计是平面艺术研究的重要领域之一,它能够以最快、最令人印象深刻的方式向受众传达有关概念或事件的信息。海报也是提高人们对社会问题认识的首选传播工具,如今,人们往往更愿意用海报来完成提高认识和宣传的任务,同时兼顾审美。在这一点上,设计师的设计在提高认识和促进社会变革方面发挥着至关重要的作用。为了让更多的人了解,人们针对许多文化和社会主题进行海报设计,并开展与这些问题相关的活动。近年来,为提高社会对暴力问题的认识和预防暴力而开展的活动日益突出。博卢国际海报设计大赛(也是本研究的主题)可以作为这些活动的一个例子。 自 2020 年以来,博卢阿班特-伊扎特-拜萨尔大学在本文作者的指导下定期举办博卢国际海报设计大赛。本研究讨论的第三届竞赛将于 2022 年举行,其主题被确定为暴力,并选出了许多副主题。本研究旨在通过数据揭示平面设计师是如何处理暴力概念的。本研究对来自 12 个国家的 24 位评委从 3041 幅海报中投票选出的 303 幅通过预选的海报设计进行了研究,并将这些设计与主题联系起来进行了分类和分析。我们认为,这项研究通过评估生活在不同地域的平面设计师在国际设计活动框架内对暴力概念的次主题和诠释,将为该领域做出贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Toplumsal Farkındalık Bağlamında Afiş Tasarımında Şiddet Kavramı: BIAH Yarışması İncelenmesi
Poster design, which is one of the critical fields of study of graphic arts, stands out with its ability to convey the message about a concept or event to the audience in the fastest and most impressive way. Posters are also preferred as a communication tool to raise awareness on social issues, and nowadays, they are often preferred to fulfill the task of raising awareness and informing with an aesthetic concern. At this point, designers have an essential role in raising awareness and promoting social change with their designs. To reach more people, poster designs are made for many cultural and social topics, and activities related to the problems are carried out. In recent years, it is seen that the activities carried out in order to raise awareness in societies about violence and to prevent violence have come to the fore. Bolu International Poster Design Competition, which is also the subject of the study, can be given as an example of these activities. Bolu International Poster Design Competition has been organized regularly by Bolu Abant İzzet Baysal University since 2020, under the direction of the authors of this paper. The theme of the third competition, discussed in this study and held in 2022, was determined as violence, and many sub-themes were selected. This study aims to reveal how the concept of violence is handled by graphic designers with data. In the study, 303 poster designs that passed the pre-selection as a result of voting among 3041 posters by 24 jury members from 12 countries were examined, and the designs were categorized and analyzed by relating them to the themes. It is thought that this study will contribute to the field by evaluating the sub-theme and interpretation of the concept of violence by graphic designers living in different geographies within the framework of international design activity.
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