作为最优王子的格拉蒂安--D.M. Ausonius 在 Gratiarum actio ad Gratianum Imperatorem 中的 "理想皇帝 "文学形象和 Q.A. Symmachus 在 Gratianum Augustum 中的 Laudatio

Anna Mleczek
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引用次数: 0

摘要

奥索尼乌斯(Ausonius)和西马库斯(Symmachus)的演讲对象是瓦伦提尼安一世的儿子格拉蒂安(Gratian)皇帝。奥索尼乌斯在他的 gratiarum actio 中对这位年轻的皇帝进行了两次赞美,以表达他对执政的感激之情;西马库斯在罗马元老院的一次会议上对这位统治者进行了赞美。两位作者在演讲中展现的与其说是格拉蒂安个人的真实形象,不如说是文学创作中的王子形象。格拉蒂安被描绘成一个完美中带有人工痕迹的理想人物:他失去了个人的真实特征,似乎被粘贴进了一个基于文学惯例和帝国国家意识形态口号的歌功颂德的宣传计划中。本文旨在介绍格拉蒂安作为 "理想皇帝 "的文学形象,这一形象出现在两篇赞美诗中,并指出在创作过程中使用的文学手法、主题、赞美诗技巧和意识形态主题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gratian as optimus princeps – the Literary Image of “an Ideal Emperor” in Gratiarum actio ad Gratianum Imperatorem by D.M. Ausonius and the Laudatio in Gratianum Augustum of Q.A. Symmachus
Ausonius and Symmachus addressed their speeches to the emperor Gratian, the son of Valentinian I. Ausonius included in his gratiarum actio two praises of the young emperor in order to express his gratitude for the consulate he received; Symmachus delivered his laudatio in honour of the ruler at a meeting of the Roman senate. In their speeches both authors showed not so much a real image of Gratian as an individual but rather a literary creation of optimus princeps. Gratian is presented as an ideal that is artificial in its perfection: he loses his individual and true characteristics and appears to be pasted into a panegyric-propaganda scheme based on literary convention as well as the slogans of imperial state ideology. In this article we aim to present the literary image of Gratian as “an ideal emperor”, which emerges from both laudatory speeches, as well as to point out the literary devices, motifs, panegyrical techniques and ideological topoi used in its creation.
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