露西-哈钦森的日常战争:16 世纪 40 年代的手稿和她的复辟 "悼词

IF 0.6 2区 文学 0 LITERATURE, BRITISH ISLES
Catharine Gray
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引用次数: 0

摘要

本文认为,17 世纪英国作家露西-哈钦森(Lucy Hutchinson)对其早期散文和晚期诗歌的形式和内容进行了尝试,揭示了当时当地和期刊新闻所经历的战争的日常层面。16 世纪 40 年代中期,在内战期间,哈钦森创作了一部无标题手稿,这是一部关于地方战争的插叙,与印刷新闻相重叠。复辟后,她创作了一系列手稿诗,这些诗将议会为士兵创作的挽歌与奥巴德(aubade)和夜曲(nocturne)体裁相结合,批判了现在集中在君主制国家的公共暴力。哈钦森从创作支持战争的战争书信转而创作批判国家敌对行动的战争挽歌,她将武装冲突描述为 "一切照旧",而非特殊事件:武装冲突依赖并重塑了日常生活的基础设施、空间、情感和习惯,并反过来成为生活的正常化版本。因此,在不同的背景和体裁下,她有助于揭示普通在战争中的关键作用,以及战争本身如何变得普通,成为现实和新闻日常的一部分。[C.G.]
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lucy Hutchinson’s Everyday War: The 1640s Manuscript and her Restoration ‘Elegies’
This essay argues that the seventeenth-century British writer, Lucy Hutchinson, experiments with the form and content of her early prose and late poetry in ways that reveal the everyday dimensions of warfare, as it was experienced on the ground and in the periodical news of the period. During the mid-1640s, in the midst of the civil wars, Hutchinson produced an untitled manuscript, an episodic narrative of local war that overlaps with print journalism. After the Restoration, she produced a series of manuscript poems that combine Parliamentary elegies for soldiers with the genres of aubade and nocturne to criticize a public violence now concentrated in the monarchal state. As Hutchinson shifts from composing a kind of war correspondence that supports the war effort to a species of war elegy critical of state hostilities, she frames armed conflict not as an exceptional event but as a form of business as usual: it depends on and reshapes the infrastructures, spaces, emotions, and habits of quotidian life and becomes, in its turn, a normalized version of that life. Across different contexts and genres, then, she helps reveal the key role of the ordinary in war alongside the ways war itself becomes ordinary, part of the real and journalistic everyday. [C.G.]
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
28
期刊介绍: English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.
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