{"title":"当事情出错时","authors":"Valerie Nelson","doi":"10.4324/9780203790489-3","DOIUrl":null,"url":null,"abstract":"“I had been thinking a lot about media technology and culture,” said Siegel, who also directs the graduate studies program in the film and media studies department and is co-director of UCSB’s Center for the Interdisciplinary Study of Music. “And I thought, ‘What if we were to think about the relationship between technology and culture not through the lens of progress and how things are getting better but by thinking about what happens when things go wrong?’ ”","PeriodicalId":258157,"journal":{"name":"The Bulletin of the Royal College of Surgeons of England","volume":"79 11","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"When things go wrong\",\"authors\":\"Valerie Nelson\",\"doi\":\"10.4324/9780203790489-3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“I had been thinking a lot about media technology and culture,” said Siegel, who also directs the graduate studies program in the film and media studies department and is co-director of UCSB’s Center for the Interdisciplinary Study of Music. “And I thought, ‘What if we were to think about the relationship between technology and culture not through the lens of progress and how things are getting better but by thinking about what happens when things go wrong?’ ”\",\"PeriodicalId\":258157,\"journal\":{\"name\":\"The Bulletin of the Royal College of Surgeons of England\",\"volume\":\"79 11\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Bulletin of the Royal College of Surgeons of England\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4324/9780203790489-3\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Bulletin of the Royal College of Surgeons of England","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9780203790489-3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“I had been thinking a lot about media technology and culture,” said Siegel, who also directs the graduate studies program in the film and media studies department and is co-director of UCSB’s Center for the Interdisciplinary Study of Music. “And I thought, ‘What if we were to think about the relationship between technology and culture not through the lens of progress and how things are getting better but by thinking about what happens when things go wrong?’ ”
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