向后滚动:在数字记忆工作中并通过数字记忆工作进行补救

Taylor Annabell
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引用次数: 0

摘要

摘要 本文探讨了 "补救 "这一概念如何成为年轻女性在 Instagram 上进行的数字记忆工作的一部分。虽然 "补救 "已被用于理解记忆场所在不同时间和不同媒体中的表现方式,但记忆性媒体实践和形式也在数字记忆工作中得到了补救。本文通过访谈、对 Instagram 活动的观察以及焦点小组数据,分析了其他媒体实践和形式是如何被整合到 Instagram 上的数字记忆工作中,以及年轻女性是如何调动这些媒体实践和形式来理解她们对该平台的记忆性使用的。分析的重点是数字记忆工作实践如何直接利用物质对象的补救和记忆性媒体实践功能的补救。它探讨了参与者与其他记忆性媒体实践的比较如何揭示数字记忆工作如何涉及个人与公共、私人与专业、真实与舞台的协商。此外,它还探讨了在后女性主义数字文化中,分享快乐经历和时刻以制作 "亮点卷轴 "或 "名人堂 "是如何产生有价值和潜在有害影响的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Scrolling back: Remediation within and through digital memory work
Abstract This article explores how the concept of remediation is part of digital memory work performed by young women on Instagram. While remediation has been used to make sense of the ways sites of memory are represented across time and through different media, mnemonic media practices and forms are remediated in digital memory work. This article draws on interviews, observations of Instagram activities, and focus group data to analyse how other media practices and forms are integrated into digital memory work on Instagram and mobilised by young women to make sense of their mnemonic use of the platform. The analysis focuses on how practices of digital memory work use direct remediation of material objects and remediation of the functionality of mnemonic media practices. It addresses how the comparisons participants make to other mnemonic media practices reveal how digital memory work involves negotiation of personal and public, private and professional, and the authentic and staged. In addition, it grapples with the way that sharing happy experiences and moments to produce a ‘highlight reel’ or ‘hall of fame’ in postfeminist digital culture has valuable and potentially harmful implications.
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