{"title":"不悦之音：从文字和声音两方面解读加纳嘻哈艺术家萨科迪的《大众","authors":"Matthew Eshun","doi":"10.2989/18121004.2023.2291915","DOIUrl":null,"url":null,"abstract":"Protest songs and their utilisation to articulate the sentiments and displeasure of people have most often been studied on a textual level with a focus on the lyrics only. Using ‘The Masses’, a wel...","PeriodicalId":41064,"journal":{"name":"Journal of the Musical Arts in Africa","volume":"319 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sounds of displeasure: a textual and sonic reading of ‘The Masses’ by Ghanaian hiplife artist Sarkodie\",\"authors\":\"Matthew Eshun\",\"doi\":\"10.2989/18121004.2023.2291915\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Protest songs and their utilisation to articulate the sentiments and displeasure of people have most often been studied on a textual level with a focus on the lyrics only. Using ‘The Masses’, a wel...\",\"PeriodicalId\":41064,\"journal\":{\"name\":\"Journal of the Musical Arts in Africa\",\"volume\":\"319 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-12-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the Musical Arts in Africa\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2989/18121004.2023.2291915\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Musical Arts in Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2989/18121004.2023.2291915","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Sounds of displeasure: a textual and sonic reading of ‘The Masses’ by Ghanaian hiplife artist Sarkodie
Protest songs and their utilisation to articulate the sentiments and displeasure of people have most often been studied on a textual level with a focus on the lyrics only. Using ‘The Masses’, a wel...
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