单人剧中的角色身份

Q4 Arts and Humanities
Arta Pub Date : 2023-12-01 DOI:10.52603/arta.2023.32-2.06
Ana Ghilaş
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引用次数: 0

摘要

文章从文本和表演两个层面探讨了独幕剧的特殊性,主要目的是探讨如何在这种艺术形式中表达人物的身份维度。考虑到独幕剧的多变性,文章揭示了这种艺术交流形式演变的一些方面,并强调了其具体特点:在主题结构层面上史诗与抒情的结合、独白作为制造冲突和发展内在行动的一种方式、即兴表演的特点等。重点放在独角戏--心理剧关系层面上的人物类型学,从而揭示在文本和表演中确认和表现人物身份/特性的方式。所分析的戏剧文本和戏剧话语反映了罗马尼亚单一戏剧的特殊性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Character identities in monodrama
The article addresses the specifics of the monodrama at the level of text and performance, the main objective being the ways of expressing the identity dimension of the character in such an artistic form. Considering the protean character of the monodrama, some aspects of the evolution of this type of artistic communication are exposed, highlighting its specific features: the combination of the epic with the lyric at the level of structuring the subject, the monologue as a way of creating conflicts and of developing inner action, the improvisational character, etc. Emphasis is placed on the typology of the character at the level of monodrama - psychodrama relationship, thus revealing the ways of affirming and manifesting the character’s identity/identities in the text and in the performance. The analyzed dramaturgical texts and the theatrical discourses reflect the specificity of monodrama in the Romanian space.
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来源期刊
Arta
Arta Arts and Humanities-Visual Arts and Performing Arts
自引率
0.00%
发文量
19
审稿时长
32 weeks
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