卡西普拉纳姆中的乡村与城市

Q2 Arts and Humanities
Jonas Buchholz
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引用次数: 0

摘要

许多泰米尔语前现代文学作品都以对一个国家和一个城市的长篇描述开始。这种惯例是属于 kāppiyam 和 purāṇam 体裁的文本的常见元素,这两种体裁可分别定义为长篇叙事诗和神话叙事。这种描述在 talapurāṇams 中特别多,即涉及圣地神话的文本。本文讨论的是《Kāñcippurāṇam》(KP)中对国家和城市的描述,该书是作者 Civañāṉa Muṉivar 于 18 世纪晚期创作的一部关于坎奇普兰市的 talapurāṇam 。文章将表明,《坎奇普兰王传》引言章节中对坎奇普兰及其周边环境的描述并非以现实描绘为目的,而是以泰米尔文学惯例为坚实基础,这些惯例不仅可追溯到古代泰米尔文学,还可追溯到中世纪时期具有影响力的文本,如《坎帕拉姆亚传》(Kamparāmāyaṇam)或《佩里亚普拉传》(Periyapurāṇam)。此外,文章还研究了西瓦尼阿-穆伊瓦尔如何将他所描述的文学景观与坎奇普兰周边地区的现实世界地理和圣诗崇拜地形相关联,从而创造出复杂的多层次景观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Country and the City in the Kāñcippurāṇam
Numerous pre-modern literary works in Tamil begin with a lengthy description of a country and a city. This convention is a stock element of texts belonging to the kāppiyam and purāṇam genres, which can be defined as long narrative poems and mythological narrations, respectively. Such descriptions are particularly numerous in talapurāṇams, i.e., texts dealing with the mythology of sacred sites. This article discusses the description of the country and the city in the Kāñcippurāṇam (KP), a talapurāṇam of the city of Kanchipuram composed in the late 18th century by the author Civañāṉa Muṉivar. It will be shown that the description of Kanchipuram and its surroundings in the introductory chapters of the KP, rather than aiming at a realistic portrayal, is strongly based on Tamil literary conventions that can be traced back to ancient Tamil literature, but also to influential texts of the medieval period, such as the Kamparāmāyaṇam or the Periyapurāṇam. Moreover, the article examines how Civañāṉa Muṉivar correlates the literary landscape that he describes with the real-world geography of the region around Kanchipuram and Śaiva devotional topography, thus creating a complex multi-layered landscape.
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来源期刊
Cracow Indological Studies
Cracow Indological Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
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9
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