{"title":"艺术家的优势（来自中欧）","authors":"Izabela Kowalczyk","doi":"10.24425/rhs.2022.142505","DOIUrl":null,"url":null,"abstract":": Fifty years after Linda Nochlin wrote her essay Why Have There Been No Great Women Artists? female artists are still struggling with limitations, a weak position in the field of art and their own dependence on others. In the text I discuss selected works of artists from Central Europe, which indicate the gender and geographical","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"36 4","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Zalety bycia artystką (z Europy Środkowej)\",\"authors\":\"Izabela Kowalczyk\",\"doi\":\"10.24425/rhs.2022.142505\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": Fifty years after Linda Nochlin wrote her essay Why Have There Been No Great Women Artists? female artists are still struggling with limitations, a weak position in the field of art and their own dependence on others. In the text I discuss selected works of artists from Central Europe, which indicate the gender and geographical\",\"PeriodicalId\":165428,\"journal\":{\"name\":\"Rocznik Historii Sztuki\",\"volume\":\"36 4\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rocznik Historii Sztuki\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24425/rhs.2022.142505\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rocznik Historii Sztuki","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24425/rhs.2022.142505","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
:琳达-诺克林（Linda Nochlin）撰文《为什么没有伟大的女艺术家》（Why Have Have Been No Great Women Artists?我在文中讨论了中欧艺术家的部分作品，这些作品表明了中欧女性艺术家的性别和地理位置。
: Fifty years after Linda Nochlin wrote her essay Why Have There Been No Great Women Artists? female artists are still struggling with limitations, a weak position in the field of art and their own dependence on others. In the text I discuss selected works of artists from Central Europe, which indicate the gender and geographical
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