{"title":"泰国新电影与抵抗诗学","authors":"Duncan Caillard","doi":"10.1080/09528822.2023.2290383","DOIUrl":null,"url":null,"abstract":"Throughout its history, Thai cinema has been entangled with institutions of state power. Through invasive systems of censorship and discursive regulation, the state not only regulates public expres...","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"23 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"New Thai Cinema and the Poetics of Resistance\",\"authors\":\"Duncan Caillard\",\"doi\":\"10.1080/09528822.2023.2290383\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Throughout its history, Thai cinema has been entangled with institutions of state power. Through invasive systems of censorship and discursive regulation, the state not only regulates public expres...\",\"PeriodicalId\":45739,\"journal\":{\"name\":\"Third Text\",\"volume\":\"23 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-12-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Third Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09528822.2023.2290383\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Third Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09528822.2023.2290383","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Throughout its history, Thai cinema has been entangled with institutions of state power. Through invasive systems of censorship and discursive regulation, the state not only regulates public expres...
期刊介绍:
Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.