将不公正置于达利特政治框架中:纳亚图的民主案例

IF 0.3 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY
Jerome Vadackel, C. Romeo
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引用次数: 0

摘要

导演马丁·普拉卡特(Martin Prakkat)执导的马拉雅拉姆电影《那亚图》(Nayattu)的最后一圈,以印度选举政治为背景,讲述了司法暂停的惊险悬念,这可能不会有什么错。在雅克·德里达的著作中,这种悬念或悬疑几乎是意料之外的,对他来说,民主的推理是“某种理由即将到来,就像民主即将到来一样”。而不是热切的期待准备结果,民主的推理是相反的。这是永远不可能结出果实,这是通过行政人员对普通人的正义的不敏感和霸道来描绘的。其他几个特点也使这部电影在这个框架下值得分析。这是一个关于传统民主机构在履行其职责方面完全不足的故事——三名被错误指控的警察需要跑到“城市”墙外的山谷/山上寻找一个永远找不到的避难所。然而,正是达利特作为暴民和受害者的写照,为电影的节奏做出了贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Situating Injustice in the Frame of Dalit Politics: A Case of Democracy in Nayattu
It might not be amiss to observe that, Nayattu, the Malayalam movie by filmmaker Martin Prakkat rides its last lap on the breathtaking suspense of a suspension of justice set in the backdrop of Indian electoral politics. Such suspense or suspension is hardly unanticipated in the writings of Jacques Derrida for whom the reasoning of democracy is of ‘a certain reason to come, as democracy to come’. Rather than eager anticipation ready to bear fruit, the reasoning of democracy is the contrary. It is the impossibility of ever bearing fruit which is portrayed through the executive’s insensitivity and domineeringness towards ordinary man’s justice. Several other characteristics also make the movie a worthwhile analysis in this frame. It is the story of the sheer inadequacy of traditional democratic institutions in fulfilling their role—three police officers who are wrongly accused need to run to the valley/hill outside the walls of the ‘city’ in search of a place of refuge that is never to be found. However, it is the portrayal of Dalits both as the mob and as the victimized that contributes to the tempo of the movie.
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来源期刊
Contemporary Voice of Dalit
Contemporary Voice of Dalit SOCIAL SCIENCES, INTERDISCIPLINARY-
自引率
42.90%
发文量
153
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