埃利-汤普里的《女性哈姆雷特》,1913 年

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM
Nely Keinänen
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引用次数: 0

摘要

本文分析了北欧国家的第一位女性哈姆雷特——埃利·通普里(Elli Tompuri, 1880-1962)。在职业生涯的早期,汤普里在芬兰国家剧院出了名,但后来,部分由于她激进的政治立场,她无法在任何一家老牌剧院找到长期工作,所以她开始与自己的剧团巡回演出,并于1913年上演了《哈姆雷特》。本文在分析评论中提出的主要主题之前,追溯了通普里对该剧的灵感和思考。一方面,评论家们有些自豪地注意到第一位女性哈姆雷特的民族意义。另一方面,通普里作为一个新女性的身份,一个演员兼导演兼经理走自己的路,产生了广泛的意见,从对一个女人试图扮演这个角色的愤怒到对通普里的天才和智慧的钦佩,通常在单一的评论中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Elli Tompuri's Female Hamlet, 1913
This article analyses the first female Hamlet in the Nordic countries, Elli Tompuri (1880–1962). Early in her career Tompuri made a name for herself at the Finnish National Theatre, but later, in part due to her radical politics, was unable to find permanent employment at any established theatre so she began touring with her own company, putting on Hamlet in 1913. The article traces Tompuri's inspirations and thoughts about the play, before analysing the major themes raised in the reviews. On one hand, reviewers noted with some pride the national significance of the first female Hamlet. On the other hand, Tompuri's status as a New Woman, an actor-director-manager making her own way, generated a wide range of opinions, from outrage that a woman would attempt the part to admiration of Tompuri's genius and intelligence, often within a single review.
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Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
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