社交媒体与不断变化的埃及肚皮舞产业中注意力/注意力的商品化

Q4 Social Sciences
Margaret L. Morley
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引用次数: 0

摘要

2018年,俄罗斯肚皮舞者戈哈拉在被指控“煽动放荡”后一跃成为明星,她在开罗迪斯科表演的视频在网上疯传,差点被驱逐出境。基于对埃及肚皮舞行业的参与者观察,本文采用民族志叙事来证明,尽管注意力在埃及肚皮舞场所被商品化,但注意力不集中和自由判断也是如此。虽然像Gohara这样的外国舞者通常可以从任何关注中获利,但对于埃及舞者来说,吸引关注的社会成本往往使其不受欢迎,为剥削和不关注和谨慎的商品化创造了机会。因此,社交媒体上以视觉为基础的关注经济日益占据主导地位,这给试图在不断变化的市场中竞争的埃及肚皮舞者带来了新的挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Social Media and the Commodification of Attention/Inattention in the Changing Egyptian Belly Dance Industry
In 2018, Russian belly dancer Gohara catapulted to stardom after being charged with ‘inciting debauchery’ and nearly deported when a video of her Cairo disco performance went viral. Based on participant-observation of the belly dance industry in Egypt, this article employs ethnographic narratives to demonstrate that although attention is commodified across Egyptian belly dance venues, so is inattention and discretion. While foreign dancers like Gohara can often profit from any attention, for Egyptian dancers the social costs of attracting attention frequently make it undesirable, creating opportunities for exploitation and the commodification of inattention and discretion. As such, the growing dominance of the visually based economies of attention on social media is generating new challenges for Egyptian belly dancers trying to compete in a changing market.
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来源期刊
Anthropology of the Middle East
Anthropology of the Middle East Social Sciences-Anthropology
CiteScore
0.40
自引率
0.00%
发文量
18
审稿时长
16 weeks
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