{"title":"《音乐之镜》中的圣诞节","authors":"Thomas Forrest Kelly","doi":"10.1093/em/caab071","DOIUrl":null,"url":null,"abstract":"Eight melodies, one for each of the ecclesiastical modes, are given as optional additions to responsories and other chants in the 14th-century Speculum musicae of Jacobus of Liège. The melodies have paired phrases resembling those of contemporaneous dance music. The paucity of surviving melodies of this sort, and their almost exclusive association with secular music, make this series particularly fascinating.","PeriodicalId":44771,"journal":{"name":"EARLY MUSIC","volume":"74 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2021-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Melismas in the Speculum musicae\",\"authors\":\"Thomas Forrest Kelly\",\"doi\":\"10.1093/em/caab071\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Eight melodies, one for each of the ecclesiastical modes, are given as optional additions to responsories and other chants in the 14th-century Speculum musicae of Jacobus of Liège. The melodies have paired phrases resembling those of contemporaneous dance music. The paucity of surviving melodies of this sort, and their almost exclusive association with secular music, make this series particularly fascinating.\",\"PeriodicalId\":44771,\"journal\":{\"name\":\"EARLY MUSIC\",\"volume\":\"74 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2021-11-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"EARLY MUSIC\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/em/caab071\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"EARLY MUSIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/em/caab071","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
摘要
在14世纪的利弗莱的雅各布斯(Jacobus of li)的《Speculum musicae》中,八种旋律,每种为一种教会调式,被作为可选的附加到责任和其他圣歌中。旋律中有与同时代舞蹈音乐相似的成对乐句。这种幸存的旋律的缺乏,以及它们几乎与世俗音乐的独家联系,使这个系列特别迷人。
Eight melodies, one for each of the ecclesiastical modes, are given as optional additions to responsories and other chants in the 14th-century Speculum musicae of Jacobus of Liège. The melodies have paired phrases resembling those of contemporaneous dance music. The paucity of surviving melodies of this sort, and their almost exclusive association with secular music, make this series particularly fascinating.
期刊介绍:
Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice. Each beautifully-presented issue contains a wide range of thought-provoking articles on performance practice. New discoveries of musical sources, instruments and documentation are regularly featured, and innovatory approaches to research and performance are explored, often in collections of themed articles.