约翰·谢泼德和埃文斯一家:近距离观察

IF 0.6 2区 艺术学 0 MUSIC
EARLY MUSIC Pub Date : 2023-12-02 DOI:10.1093/em/caad030
Jason Smart
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引用次数: 0

摘要

众所周知,约翰·谢泼德的音乐生涯只有15年。1543年,当时他可能还不到30岁,他被任命为牛津大学莫德林学院唱诗班的情报员。1558年去世时,他43岁,是皇家礼拜堂的绅士,也许是在1548年离开牛津时被任命的。最近的一篇文章引起了人们的注意,在玛丽女王统治的早期,谢泼德和他的家人卷入了一场法律诉讼,涉及米德尔塞克斯郡圣克莱门特丹麦教区的一组财产。对这一争论的深入调查揭示了谢泼德在被牛津大学任命前不久的地理联系。它使我们能够高度自信地确定他第一次婚姻发生的时间和地点,并对这对年轻夫妇的情况有所了解。在另一项诉讼中,他与皇家教堂的同事卢克·考斯特尔(Luke Caustell)作为共同原告出庭,这一诉讼没有那么引人注目,但可能指向与英格兰同一地理区域的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
John Sheppard and the Ewens: a closer look
The known musical career of John Sheppard spans just 15 years. In 1543, when he was probably still in his late twenties, he was appointed informator choristarum of Magdalen College, Oxford. At his death in 1558, at about the age of 43, he was a Gentleman of the Chapel Royal, perhaps having been appointed on leaving Oxford in 1548. A recent article draws attention to the fact that, early in the reign of Queen Mary, Sheppard and his family were involved in a legal action concerning a group of properties in the parish of St Clement Danes, Middlesex. Deeper investigation of this dispute reveals where Sheppard’s geographical ties lay shortly before his Oxford appointment. It allows us to pinpoint with a high degree of confidence when and where his first marriage took place and to understand a little of the young couple’s circumstances. A separate action, in which he appeared as a joint plaintiff with his Chapel Royal colleague Luke Caustell, is less revealing, but potentially points to a connection with the same geographical region of England.
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来源期刊
EARLY MUSIC
EARLY MUSIC MUSIC-
CiteScore
0.20
自引率
0.00%
发文量
44
期刊介绍: Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice. Each beautifully-presented issue contains a wide range of thought-provoking articles on performance practice. New discoveries of musical sources, instruments and documentation are regularly featured, and innovatory approaches to research and performance are explored, often in collections of themed articles.
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