{"title":"舞台中断:引用、蒙太奇与卡拉·朗齐《自吹自奏》中的女权主义思想","authors":"Emily Antenucci","doi":"10.1080/02614340.2023.2268481","DOIUrl":null,"url":null,"abstract":"This article reads Carla Lonzi’s collective self-portrait Autoritratto (1969) through the interpretive lens of interruption. I identify interruption as a critical and unexplored stylistic feature a...","PeriodicalId":501451,"journal":{"name":"The Italianist","volume":"15 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Staging Interruption: Quotation, Montage, and Feminist Thought in Carla Lonzi’s Autoritratto\",\"authors\":\"Emily Antenucci\",\"doi\":\"10.1080/02614340.2023.2268481\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article reads Carla Lonzi’s collective self-portrait Autoritratto (1969) through the interpretive lens of interruption. I identify interruption as a critical and unexplored stylistic feature a...\",\"PeriodicalId\":501451,\"journal\":{\"name\":\"The Italianist\",\"volume\":\"15 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Italianist\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/02614340.2023.2268481\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Italianist","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/02614340.2023.2268481","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Staging Interruption: Quotation, Montage, and Feminist Thought in Carla Lonzi’s Autoritratto
This article reads Carla Lonzi’s collective self-portrait Autoritratto (1969) through the interpretive lens of interruption. I identify interruption as a critical and unexplored stylistic feature a...
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