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凯蒂·斯科特:《成为财产:近代早期法国的艺术、理论与法律》威尔·斯劳特:谁拥有新闻?德里克·米勒，《版权与表演的价值》(1770-1911)埃琳娜·库珀，《艺术与现代版权:有争议的形象》

IF 0.6 Q2 LAW
AMERICAN JOURNAL OF LEGAL HISTORY Pub Date : 2021-06-14 DOI:10.1093/ajlh/njaa034
Hector L MacQueen
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引用次数: 0

摘要

FrosioGiancarlo，调和版权与累积创造力:第三范式(切尔滕纳姆，英国和北安普顿，马萨诸塞州:爱德华·埃尔加，2018)第viii和390页。110.00英镑(精装本)。ISBN 978-1-78811-417-2。
本文章由计算机程序翻译，如有差异，请以英文原文为准。
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Giancarlo Frosio, Reconciling Copyright with Cumulative Creativity: The Third Paradigm Katie Scott, Becoming Property: Art, Theory and Law in Early Modern France Will Slauter, Who Owns the News?: A History of Copyright Derek Miller, Copyright and the Value of Performance 1770-1911 Elena Cooper, Art and Modern Copyright: The Contested Image
FrosioGiancarlo, Reconciling Copyright with Cumulative Creativity: The Third Paradigm (Cheltenham, United Kingdom, and Northampton, MA: Edward Elgar, 2018) pp viii and 390. GBP 110.00 (hardback). ISBN 978-1-78811-417-2.
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来源期刊
AMERICAN JOURNAL OF LEGAL HISTORY
AMERICAN JOURNAL OF LEGAL HISTORY LAW-
CiteScore
0.30
自引率
0.00%
发文量
17
期刊介绍： The American Journal of Legal History was established in 1957 as the first English-language legal history journal. The journal remains devoted to the publication of articles and documents on the history of all legal systems. The journal is refereed, and members of the Judiciary and the Bar form the advisory board.
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