城市不是城市:城市作家塑造城市形象的两种途径

Q3 Arts and Humanities
Anna-Lena Roderfeld
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引用次数: 0

摘要

本文引用了当代城市作家的两篇文章:Juliana Kálnay(2019)的《城市之夜》(Die Stadt ist night Die Stadt)和Barbara markoviki的《格拉茨,亚历山大广场》(2012)。分析了作者如何呈现他们所访问的城市以及他们所开发的城市的文学形象类型。对Kálnay文本的分析侧重于她如何将城市的过去和现在交织在一起,并通过水的主题将两者联系起来。此外,通过引用伊塔洛·卡尔维诺的《看不见的城市》,对互文策略进行了研究。根据马尔科维奇的《格拉茨,亚历山大广场》的双重结构,一面(双页)复制城市文本,另一面(双页)评论城市文本和城市经验。此外,简要讨论了文本与阿尔弗雷德Döblin的柏林亚历山大广场的联系程度。研究表明,两位作者都使用实验策略来构建他们的文本并把握“他们的”城市,但他们也都下意识地反思是否有可能呈现“真实”的城市,以及这些尝试必须在多大程度上保持对城市的切断,这取决于视角、时间和地点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The City is Not the City: Two Approaches of How City Writers Compose Images of Urbanity
This paper references two texts from contemporary city writers: Die Stadt ist nicht die Stadt, by Juliana Kálnay (2019), and Graz, Alexanderplatz, by Barbara Marković (2012). They are analysed in regard to how the authors present the cities they visit and the type of literary images of the cities they develop. The analysis of Kálnay’s text focuses on how she interweaves past and present of the city and interconnects both through a water motif. Furthermore, intertextual strategies evident through her referencing Italo Calvino’s Invisible Cities are investigated. Marković’s Graz, Alexanderplatz is analysed according to its twofold structure of copied city text on the one side (of the double page) and commented city text and urban experiences on the other. Moreover, how far the text is connected to Alfred Döblin’s Berlin Alexanderplatz is briefly discussed. It is shown that both authors use experimental strategies to structure their texts and grasp ‘their’ cities but that both also subliminally reflect on whether it is actually possible to present the ‘real’ city, and how far the attempts must remain cut-outs of urbanity, dependent on perspective, time and place.
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来源期刊
Journal of Narrative and Language Studies
Journal of Narrative and Language Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
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