后大流行时代的中外合拍:促进电影合拍的政策效应

Xinmu Wang
{"title":"后大流行时代的中外合拍:促进电影合拍的政策效应","authors":"Xinmu Wang","doi":"10.24135/rangahau-aranga.v2i3.201","DOIUrl":null,"url":null,"abstract":"At this symposium, I will present my research findings which explore the implications of film co-production policies for practitioners engaged in Sino-foreign co-production projects. The research is guided by the theoretical framework of Richard Peterson's production of culture perspective (2004) and John Thornton Caldwell's production culture (2008). Specifically, my presentation will concentrate on film policies and relevant industry documents that have direct relevance to film practitioners in the Australasian region. The dynamics of government relationships are likely to exert an influence on policy-making processes. New Zealand was the first Oceanic country to sign the Memorandum of Agreement with China on the Maritime Silk Road in early 2017. Since then, it has brought opportunities and challenges for New Zealand film industry practitioners. Six official co-production projects with China have been approved since 2019 (New Zealand Film Commission, 2023). For New Zealand film industry practitioners keen to collaborate with their Chinese counterparts in the post-pandemic era, the Belt and Road Initiative presents an opportunity to seize the advantages of the current times. Therefore, filmmakers in both countries should understand the impact of these policies on the Chinese film industry and Sino-foreign co-productions. This qualitative research collected primary data from semi-structured interviews with film practitioners from New Zealand, Australia, and China, and secondary data from documents, government policies, and reports, as well as publically available online industry interviews. A thematic analysis is conducted to examine the data and answering and exploring one of PhD research questions: what would industry policies and documents mean for film practitioners working in co-productions. My research finding shows, through acquiring comprehensive knowledge, film industry practitioners can make informed choices and select collaboration methods that align with the needs of their projects, thus avoiding unnecessary complications or challenges.","PeriodicalId":491085,"journal":{"name":"Rangahau Aranga AUT Graduate Review","volume":"41 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sino-Foreign Co-Production in the Post-Pandemic Era: Effects of Policies on Facilitating Film Co-Production\",\"authors\":\"Xinmu Wang\",\"doi\":\"10.24135/rangahau-aranga.v2i3.201\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"At this symposium, I will present my research findings which explore the implications of film co-production policies for practitioners engaged in Sino-foreign co-production projects. The research is guided by the theoretical framework of Richard Peterson's production of culture perspective (2004) and John Thornton Caldwell's production culture (2008). Specifically, my presentation will concentrate on film policies and relevant industry documents that have direct relevance to film practitioners in the Australasian region. The dynamics of government relationships are likely to exert an influence on policy-making processes. New Zealand was the first Oceanic country to sign the Memorandum of Agreement with China on the Maritime Silk Road in early 2017. Since then, it has brought opportunities and challenges for New Zealand film industry practitioners. Six official co-production projects with China have been approved since 2019 (New Zealand Film Commission, 2023). For New Zealand film industry practitioners keen to collaborate with their Chinese counterparts in the post-pandemic era, the Belt and Road Initiative presents an opportunity to seize the advantages of the current times. Therefore, filmmakers in both countries should understand the impact of these policies on the Chinese film industry and Sino-foreign co-productions. This qualitative research collected primary data from semi-structured interviews with film practitioners from New Zealand, Australia, and China, and secondary data from documents, government policies, and reports, as well as publically available online industry interviews. A thematic analysis is conducted to examine the data and answering and exploring one of PhD research questions: what would industry policies and documents mean for film practitioners working in co-productions. My research finding shows, through acquiring comprehensive knowledge, film industry practitioners can make informed choices and select collaboration methods that align with the needs of their projects, thus avoiding unnecessary complications or challenges.\",\"PeriodicalId\":491085,\"journal\":{\"name\":\"Rangahau Aranga AUT Graduate Review\",\"volume\":\"41 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-10-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rangahau Aranga AUT Graduate Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24135/rangahau-aranga.v2i3.201\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rangahau Aranga AUT Graduate Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24135/rangahau-aranga.v2i3.201","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

在这次研讨会上,我将展示我的研究成果,探讨电影合拍政策对从事中外合拍项目的从业者的影响。本研究以Richard Peterson的生产文化视角(2004)和John Thornton Caldwell的生产文化(2008)的理论框架为指导。具体来说,我的演讲将集中在电影政策和相关的行业文件,有直接相关的电影从业者在澳大拉西亚地区。政府关系的动态可能对决策过程产生影响。2017年初,新西兰成为首个同中国签署《海上丝绸之路建设协议备忘录》的大洋洲国家。从那时起,它给新西兰的电影从业者带来了机遇和挑战。自2019年以来,已经批准了六个与中国的官方合作项目(新西兰电影委员会,2023年)。对于渴望在后疫情时代与中国同行合作的新西兰电影业从业者来说,“一带一路”倡议提供了一个抓住当前时代优势的机会。因此,两国的电影人都应该了解这些政策对中国电影产业和中外合拍电影的影响。这项定性研究收集了来自新西兰、澳大利亚和中国电影从业者的半结构化访谈的主要数据,以及来自文件、政府政策和报告以及公开的在线行业访谈的次要数据。本文进行了专题分析,以检查数据并回答和探索博士研究的一个问题:行业政策和文件对从事联合制作的电影从业者意味着什么。我的研究发现表明,电影行业从业者通过获得全面的知识,可以做出明智的选择,选择符合项目需求的合作方式,从而避免不必要的复杂或挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sino-Foreign Co-Production in the Post-Pandemic Era: Effects of Policies on Facilitating Film Co-Production
At this symposium, I will present my research findings which explore the implications of film co-production policies for practitioners engaged in Sino-foreign co-production projects. The research is guided by the theoretical framework of Richard Peterson's production of culture perspective (2004) and John Thornton Caldwell's production culture (2008). Specifically, my presentation will concentrate on film policies and relevant industry documents that have direct relevance to film practitioners in the Australasian region. The dynamics of government relationships are likely to exert an influence on policy-making processes. New Zealand was the first Oceanic country to sign the Memorandum of Agreement with China on the Maritime Silk Road in early 2017. Since then, it has brought opportunities and challenges for New Zealand film industry practitioners. Six official co-production projects with China have been approved since 2019 (New Zealand Film Commission, 2023). For New Zealand film industry practitioners keen to collaborate with their Chinese counterparts in the post-pandemic era, the Belt and Road Initiative presents an opportunity to seize the advantages of the current times. Therefore, filmmakers in both countries should understand the impact of these policies on the Chinese film industry and Sino-foreign co-productions. This qualitative research collected primary data from semi-structured interviews with film practitioners from New Zealand, Australia, and China, and secondary data from documents, government policies, and reports, as well as publically available online industry interviews. A thematic analysis is conducted to examine the data and answering and exploring one of PhD research questions: what would industry policies and documents mean for film practitioners working in co-productions. My research finding shows, through acquiring comprehensive knowledge, film industry practitioners can make informed choices and select collaboration methods that align with the needs of their projects, thus avoiding unnecessary complications or challenges.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信