{"title":"录像作为武器、延伸、镜子、催化剂和病毒:1970年代和1980年代录像运动中的跨国隐喻和概念","authors":"Renée Winter","doi":"10.14220/zsch.2023.50.3.325","DOIUrl":null,"url":null,"abstract":"This article explores metaphors used in video movements of the 1970s and 1980s to refer to the medium of video. It traces both local adaptions and the transnational traveling of concepts and media practices between the Black Panther Party, French and Austrian video groups, West German media centers and US video activists. The metaphors weapon, extension, mirror, catalyst, and virus indicate various understandings of the functions of the medium of video which differ with regard to questions of agency and reception and are linked to the specific political struggles of the actors.","PeriodicalId":41756,"journal":{"name":"Zeitgeschichte","volume":"56 24","pages":"0"},"PeriodicalIF":0.3000,"publicationDate":"2023-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Video as a Weapon, Extension, Mirror, Catalyst, and Virus: Transnational Metaphors and Concepts in Video Movements in the 1970s and 1980s\",\"authors\":\"Renée Winter\",\"doi\":\"10.14220/zsch.2023.50.3.325\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores metaphors used in video movements of the 1970s and 1980s to refer to the medium of video. It traces both local adaptions and the transnational traveling of concepts and media practices between the Black Panther Party, French and Austrian video groups, West German media centers and US video activists. The metaphors weapon, extension, mirror, catalyst, and virus indicate various understandings of the functions of the medium of video which differ with regard to questions of agency and reception and are linked to the specific political struggles of the actors.\",\"PeriodicalId\":41756,\"journal\":{\"name\":\"Zeitgeschichte\",\"volume\":\"56 24\",\"pages\":\"0\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-11-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Zeitgeschichte\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14220/zsch.2023.50.3.325\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zeitgeschichte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14220/zsch.2023.50.3.325","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
Video as a Weapon, Extension, Mirror, Catalyst, and Virus: Transnational Metaphors and Concepts in Video Movements in the 1970s and 1980s
This article explores metaphors used in video movements of the 1970s and 1980s to refer to the medium of video. It traces both local adaptions and the transnational traveling of concepts and media practices between the Black Panther Party, French and Austrian video groups, West German media centers and US video activists. The metaphors weapon, extension, mirror, catalyst, and virus indicate various understandings of the functions of the medium of video which differ with regard to questions of agency and reception and are linked to the specific political struggles of the actors.
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