Qubadi Jalilzada的诗歌剪辑

Abdulqadir Hama Ameen Mohammad, Sarhad Hussain Mustafa
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摘要

一般来说,文学是对现实和想象的再思考,尤其是诗歌,它有其独特的形式和品质,如古老的修辞和现代的偏离手段。任何文学作品都必须有某种形式的偏差,除了创造性和诗意的意象,无论是意义的变化还是文本结构的变化,都要吸引读者,《诗情画意》是一门商业和艺术,我们要把所有好的艺术都表现在诗歌中。结构偏差的一个组成部分是夹持。在他的诗歌中,jalilzada使用了多种这种方法,包括字母,单词,图像,半行(一首诗)和单行。这种文学技巧的运用既有经济上的目的,也有美学上的目的,这有助于诗人与他的前辈们区别开来。它暗示着这个装置被用作一种语言游戏和文本的文字装置。因此,它的使用要求很高的文字质量,而随意选择的剪辑没有熟练的应用并不总是服务于文本的审美价值。因此,研究者的目的是通过剪接影响内外部韵律,增强文本的美感,从而区分诗文与非诗文。因此,作为一个熟练的诗人,贾利勒扎达在他的诗歌中使用了剪辑。阐明哈利萨达斯诗歌中剪接的文字和美学类型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Clipping in Qubadi Jalilzada's poetry
Generally speaking, literature is a rethinking of reality and the imagination, especially poetry, with its unique form and qualities such as ancient rhetoric and modern deviation devices. Any literary work must have some form deviation, in addition to creativity and poetic imagery, whether it is a change in meaning or a change in the texts structure, to be engaging for the reader, Cilliping is a bussinesing and art, we want to show all of nice art in poity. A component of structural deviation is clipping. In his poetry, jalilzada employs a variety of this approach, including the clipping of letters, words, images, half-lines( a verse), and single lines. The manipulation of this literary technique is done for both economic and aesthetic purposes, and it helps the poet stand a part from his predecessors. It implies that this device is being used as a language game and a literal device of a text. As a result, its employment demands a high level of literal quality, and a randomly selected clipping without skillful application does not always serve a texts aesthetic value. Thus, the researcher aims Because clipping affects internal and eexternal rhymes and enhances the texts aesthetic beauty, it is used to distinguish between a poetical and an unpoetical text. Thus, as a skilled poet, jalilzada has used clipping in his poetry. to illuminate the literal and aesthetical types of clipping in jalizadas poetry.
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