编织无形:数据驱动的工艺主义作为女权主义的抵抗

IF 2.2 3区 社会学 Q2 SOCIAL ISSUES
Abigail Moreshead, Anastasia Salter
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引用次数: 0

摘要

【摘要】女权主义学者正在引起人们的注意,传统的数据表现形式如何未能使妇女和边缘化社区的经历可见。虽然从数据科学的角度来看,重新定义已经缺乏可视化的社区(和危机)的不可见性的问题得到了承认,但很少有人关注手艺如何解决这些可见性问题。“工艺主义”,或向激进工艺的转变,既抵制形式的可见性,也抵制生产它的劳动。本文考察了两个由数据驱动的具体工艺主义项目:缝合曲线,一个为期一年的缝合流行病数据项目,以及通过编织代表气候变化数据的tempstry项目。利用Andre Brock的批判性技术文化话语分析作为一种方法来理解这些工匠数据可视化是如何在社交媒体上传播的,我们认为,在他们的形式和内容上,工匠数据可视化通过拥抱女权主义精神来纠正Perez所说的“性别数据差距”。这些项目为理解工艺的抵抗潜力提供了一个必要的空间,塑造了将“女性化”纺织品作为女权主义可视化和意义创造的场所的固有颠覆,同时也面临着与工艺本身相同的挑战——被忽视、边缘化和不可见。关键词:工艺主义、数据可视化、编织女权主义披露声明作者未报告潜在的利益冲突。作者简介:abigail Moreshead,中佛罗里达大学文本与技术专业博士,现任UCF英语客座讲师。她的研究是书籍研究和女权主义媒体研究的交叉领域,重点关注文本生产和知识创造中的性别劳动。她的作品发表在《19世纪性别研究》和《女性主义媒体研究》上。Anastasia Salter是中佛罗里达大学的英语教授,最近出版了《流行病中的游戏教学法:转向基于游戏的学习》(与Emily Johnson合作,Routledge出版社,2022年)和《Twining:超文本叙事的批判性和创造性方法》(与Stuart Moulthrop合作,阿默斯特学院,2021年)。他们担任电子文献组织的副总裁。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Knitting the in_visible: data-driven craftivism as feminist resistance
ABSTRACTFeminist scholars are drawing attention to how conventional forms of data representation fail to make visible the experiences of women and marginalized communities. While the problem of reinscribing the in_visibility of already under-visualized communities (and crises) is being acknowledged from a data science perspective, little attention is being paid to how craft redresses these issues of visibility. ‘Craftivism’, or the move towards activist craft, resists both the in_visibility of the form and of the labour that produces it. This essay examines two specific craftivism projects driven by data: Stitching the Curve, a year-long stitched pandemic data project, and the Tempestry Project, which represents climate change data through knitting. Drawing on Andre Brock’s critical technocultural discourse analysis as a methodology to understand how these craftivist data visualizations circulate on social media, we argue that in their form and their content, craftivist data visualizations redress what Perez terms the ‘gender data gap’ through embracing a feminist ethos. These projects offer an essential space for understanding craft’s potential for resistance, modelling the inherent subversion of employing the ‘feminine’ textile as a site for feminist visualization and meaning-making, while also subject to the same challenges as craft itself – dismissal, marginalization and in_visibility.KEYWORDS: Craftivismdatavisualizationknittingfeminism Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsAbigail MoresheadAbigail Moreshead has a PhD in Texts & Technology from the University of Central Florida and is currently a visiting lecturer of English at UCF. Her research exists at the intersection of book studies and feminist media studies with a focus on gendered labor in textual production and knowledge creation. Her work has been published in Nineteenth Century Gender Studies and Feminist Media Studies.Anastasia SalterAnastasia Salter is a professor of English at the University of Central Florida, and author most recently of Playful Pedagogy in the Pandemic: Pivoting to Games-Based Learning (with Emily Johnson, Routledge 2022) and Twining: Critical and Creative Approaches to Hypertext Narratives (with Stuart Moulthrop, Amherst College 2021). They serve as Vice President of the Electronic Literature Organization.
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来源期刊
CiteScore
4.40
自引率
0.00%
发文量
52
期刊介绍: The Journal of Gender Studies is an interdisciplinary journal which publishes articles relating to gender from a feminist perspective covering a wide range of subject areas including the Social and Natural Sciences, Arts and Popular Culture. Reviews of books and details of forthcoming conferences are also included. The Journal of Gender Studies seeks articles from international sources and aims to take account of a diversity of cultural backgrounds and differences in sexual orientation. It encourages contributions which focus on the experiences of both women and men and welcomes articles, written from a feminist perspective, relating to femininity and masculinity and to the social constructions of relationships between men and women.
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