不再游行了?海军周,海军戏剧和海军主义,1927-38

IF 0.6 2区 历史学 Q1 HISTORY
Rowan Thompson
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引用次数: 0

摘要

尽管第一次世界大战后呼吁“不再游行”,尽管这一时期被认为不适合军国主义和军事仪式,但“海军戏剧”、海军主义和军国主义的文化展示都在两次世界大战之间的英国流行的公民仪式中引起了重大共鸣。这一时期最突出的海军戏剧形式之一是每年一度的海军周庆典。1927年至1938年间,“海军周”活动首先在朴茨茅斯举行,随后扩展到普利茅斯和查塔姆,让公众直接接触皇家海军的工作、生活和日常。为了帮助海军慈善机构,该活动也为海军部提供了一个公共平台,以促进海军保护国家和帝国,并鼓励英国公众进行海军教育。海军周代表了现代化、技术创新和军事威望的场所。然而,这次活动同样促进了海军遗产、传统和皇家海军对英国作为海洋国家地位的长期重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
No more parades? Navy Weeks, naval theatre and navalism, 1927–38
Abstract Despite calls for ‘no more parades’ following the First World War, and while the period was supposedly inhospitable to militaristic and martial ceremony, ‘naval theatre’, navalism and cultural displays of militarism all enjoyed significant resonance in the popular civic ritual of interwar Britain. One of the most prominent forms of naval theatre in this period was the annual celebration of Navy Weeks. First staged at Portsmouth, then extended to Plymouth and Chatham the following year, Navy Weeks were held between 1927 and 1938 and allowed members of the public to be brought into direct touch with the work, life and routine of the Royal Navy. Instituted to aid naval charities, the event also provided a public platform for the admiralty to promote the navy for the preservation of nation and empire, as well as encouraging naval education among the British public. Navy Weeks represented a site of modernity, technological innovation and military prestige. However, the event equally promoted naval heritage, tradition and the long-standing significance of the Royal Navy to Britain’s status as a maritime nation.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
0
期刊介绍: Since 1923, Historical Research has been a leading mainstream British historical journal. Its articles cover a wide geographical and temporal span: from the early middle ages to the twentieth century. It encourages the submission of articles from a broad variety of approaches, including social, political, urban, intellectual and cultural history.
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