19世纪收容所对妇女的虐待:英国文学中的过去和现在的表现

Giuseppe Giordano
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引用次数: 0

摘要

疯狂在英国文学中经常出现,因为它不仅涉及到医生和社会控制,而且涉及到女性在社会中的角色,以及男性对妻子、姐妹、女儿和其他女性亲属的意志的运用。本文结合维多利亚时代的两位小说家威尔基·柯林斯和玛丽·伊丽莎白·布莱登以及当代作家萨拉·沃特斯对精神病院妇女的不同描述,探讨了19世纪精神病院妇女的状况。本文广泛介绍了精神错乱理论和虐待女性的动机,然后对《白衣女人》、《奥德利夫人的秘密》和《手指史密斯》这三部小说中虐待的表现进行了反思。前两部小说与现代小说之间的一个重大区别是对性取向、受虐狂和色情的描绘。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Abuse of Women in Nineteenth Century Asylums: Past and Present Representations in English Literature
Madness has been frequently represented in English literature since it was an issue concerning not only medical practitioners and social control but also the role of women in society and the exertion of men’s will over wives, sisters, daughters and other female relatives. In this paper, the condition of nineteenth century women confined to the madhouses or asylums is discussed in relation to the different representations made by two Victorian novelists, Wilkie Collins and Mary Elizabeth Braddon, and a contemporary writer, Sarah Waters. Theories of insanity and the motives of women abuse are widely introduced followed by some reflections on the representation of abuse in three novels: The Women in White, Lady Audley’s Secret and Fingersmith. A substantial difference between the first two novels and the modern one is the portrayal of sexual orientation, masochism and pornography.
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