{"title":"特约作者说明","authors":"","doi":"10.5406/21567417.67.3.02","DOIUrl":null,"url":null,"abstract":"Other| October 01 2023 Notes on Contributing Authors Ethnomusicology (2023) 67 (3): viii–x. https://doi.org/10.5406/21567417.67.3.02 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Notes on Contributing Authors. Ethnomusicology 1 October 2023; 67 (3): viii–x. doi: https://doi.org/10.5406/21567417.67.3.02 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressEthnomusicology Search Advanced Search Luca Bussotti obtained his PHD in Sociology of Development at Pisa University (Italy) in 2001. His main field of research is Lusophone Africa, with a particular emphasis on cultural as well as political studies. He was a Professor at the University of Pisa, University of Eduardo Mondlane in Mozambique, a Marie Curie Fellow at the African Studies Center of ISCTE in Lisbon, and an Associate Visiting Professor at the Federal University of Pernambuco (Brazil). Now he is Professor at the Technical University of Mozambique. He has published almost 100 articles in scientific journals all over the world and about 20 books.Kimberly Cannady is a senior lecturer in ethnomusicology and director of the music studies program at Te Herenga Waka - Victoria University of Wellington (New Zealand). Kimberly is interested in how notions of the past shape contemporary musical experiences in both the Arctic and Pacific regions, and she is... You do not currently have access to this content.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":"72 1","pages":"0"},"PeriodicalIF":0.6000,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Notes on Contributing Authors\",\"authors\":\"\",\"doi\":\"10.5406/21567417.67.3.02\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Other| October 01 2023 Notes on Contributing Authors Ethnomusicology (2023) 67 (3): viii–x. https://doi.org/10.5406/21567417.67.3.02 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Notes on Contributing Authors. Ethnomusicology 1 October 2023; 67 (3): viii–x. doi: https://doi.org/10.5406/21567417.67.3.02 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressEthnomusicology Search Advanced Search Luca Bussotti obtained his PHD in Sociology of Development at Pisa University (Italy) in 2001. His main field of research is Lusophone Africa, with a particular emphasis on cultural as well as political studies. He was a Professor at the University of Pisa, University of Eduardo Mondlane in Mozambique, a Marie Curie Fellow at the African Studies Center of ISCTE in Lisbon, and an Associate Visiting Professor at the Federal University of Pernambuco (Brazil). Now he is Professor at the Technical University of Mozambique. He has published almost 100 articles in scientific journals all over the world and about 20 books.Kimberly Cannady is a senior lecturer in ethnomusicology and director of the music studies program at Te Herenga Waka - Victoria University of Wellington (New Zealand). Kimberly is interested in how notions of the past shape contemporary musical experiences in both the Arctic and Pacific regions, and she is... 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Other| October 01 2023 Notes on Contributing Authors Ethnomusicology (2023) 67 (3): viii–x. https://doi.org/10.5406/21567417.67.3.02 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Notes on Contributing Authors. Ethnomusicology 1 October 2023; 67 (3): viii–x. doi: https://doi.org/10.5406/21567417.67.3.02 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressEthnomusicology Search Advanced Search Luca Bussotti obtained his PHD in Sociology of Development at Pisa University (Italy) in 2001. His main field of research is Lusophone Africa, with a particular emphasis on cultural as well as political studies. He was a Professor at the University of Pisa, University of Eduardo Mondlane in Mozambique, a Marie Curie Fellow at the African Studies Center of ISCTE in Lisbon, and an Associate Visiting Professor at the Federal University of Pernambuco (Brazil). Now he is Professor at the Technical University of Mozambique. He has published almost 100 articles in scientific journals all over the world and about 20 books.Kimberly Cannady is a senior lecturer in ethnomusicology and director of the music studies program at Te Herenga Waka - Victoria University of Wellington (New Zealand). Kimberly is interested in how notions of the past shape contemporary musical experiences in both the Arctic and Pacific regions, and she is... You do not currently have access to this content.
期刊介绍:
As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.